And if you only think of Geddy Squire and Rutherford when you think Ric., remember McCartney played one for a long time too.
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Why was the MIM better quality over the MIA?Definitely the MIA. It is thicker than the MIM which is a bit toooooo thin and a bit more flat. The MIA to me feels like a nice round small U in the back. It is a very comfortable neck. But, in my experience the MIM was the best built of the three I've had (MIJ original '98 limited run was the worst in quality, and the skunk stripe has popped out of the back of its tiny neck).
In California and the UK they say Ricken-BACK-er. On the East Coast we usually say Ricken-BOCK-er. I attribute that to the large German influence here during the colonial period. I could be wrong on that, but it is my general observation.I can't stand the RICK-in-BACK-er pronunciation. So grating. I intend no regionalism when I say this but it really rubs me the wrong way. The founder of the company was a German speaker from Switzerland, for Heaven's sake!
The Ric seems like it's made for pick playing. And you definitely can't slap on it.
Why was the MIM better quality over the MIA?
Maybe you can't slap on a Rickenbacker, but this guy definitely can. I'd chock that up to your own (in)ability vs the design of the bass itself.
Some of my very favorite music. Squire is my all time favorite. I'd live a Rick.Well I have both. An 83 Fullerton Jazz and a 77 Ric 4001. Both amazing. I did lend the Ric to a couple of buddy for two weeks took month's to get back. Have any of you ( I'm sure there are a few ) listened to The Revealing Science of God? Tales from Topographic Oceans? Chris Squire's bass line against Wakeman's mellotron and synth. Listen to the entire thing an tell me you don't want a Ric.
Let's get real.
- Johnny Lee Long is a great player and could make almost anything sound good;
- Of course you can slap a Rick, it just doesn't often sound good;
- Ricks weren't designed with funk or slap technique in mind;
- Yes, you can slap on a Rick and make it sound good, but it's easier to do so on, say, a Jazz Bass.
Sadly, I have only seen Yes perform that once, in 1997. I have seen Yes perform the 4th side several times in the mid '70s. And at a private show at the Rock Hall in 2013 Steve and Jon Davison did bits of side 3....The Revealing Science of God? Tales from Topographic Oceans...
Well a P or Jazz are way more traditional and I own some classics my first good bass was a 71 P that was stolen. But still I pick up that Ric and there is a little magic in the fretboardI own one of each (and a P), but if it had to be one, I'd be a Jazz.
But if you listened to Revealing Science of God on Tales and compared Squires insane driving bass line behind Wakeman's great solo... He's not just his complex reputation but a real F ing bass player driving the whole band forward as we all want to do. And they were obviously having a great time doing it.Sadly, I have only seen Yes perform that once, in 1997. I have seen Yes perform the 4th side several times in the mid '70s. And at a private show at the Rock Hall in 2013 Steve and Jon Davison did bits of side 3.
You gotta figure there will be a Rickenbacker made overseas when Hell freezes over because the fact that they make California-built instruments and only California-built instruments remains a major selling point of the Rick. Well, that and they are fantastic (if quirky) guitars and basses. The sound is really special and they look so cool.
I wish they would pronounce it REEKH-en-BAKH-er instead of the lame-but-accepted RICK-in-BACK-er. I suppose RICK-en-BOCK-er is acceptable.
That's how we pronounce it here in Orange County, CA where they make em.Isn't RICK-en BOCK-er the proper way to pronounce it? That is what I always thought. That's how I always said it. Maybe it's regional? I live in Ohio and I believe that is how most around here pronounce it... RICK-en BOCK-er. hmmm interesting.
Well a P or Jazz are way more traditional and I own some classics my first good bass was a 71 P that was stolen. But still I pick up that Ric and there is a little magic in the fretboard