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Rickenbacker quality control issues?!

Not really a Rick repair story, but hopefully some folks will enjoy it anyways...

In 1975, after using my singer's fireglo Rick for a number of months, I liked the slightly shorter scale of the Rick so I saved up the money to buy my own. Around this time, our singer had decided to leave the band and ended up joining the Genesis tour as Daryl Sturmer's guitar tech. My Fender Jazz had so many dead spots in the neck, the band would no longer allow me to use it, so I knew I had to do something.

After a well-publicized gig at the Cellar Door, i found out that I had several big-time fans who happened to work at Chuck Levin's Washington Music Center. Chuck's was the superior local choice for bass gear at the time. I told him that I wanted to buy my own 4001 and he stopped me cold. He said, "Look - I don't want to rain on your parade - but there is a HUGE difference in 4001's from bass to bass. They simply are not consistent. Every neck seems to be a new experience in feel - and the fit and finish can vary a lot." He asked me how much time I had and I told him I wanted to get it done within a week or two.

I was so amazed and delighted when he called me early in the week and said - "Look, we have about a dozen 4001s in the warehouse, if you can give us until saturday, we will track them all down, make sure they have good set-ups and let you in upstairs to play them all to your heart's content." Of course, I set my sights on saturday and told him my favorite finish was the mapleglo, but I wouldn't let that make my final decision. But I did want to be sure he had all the mapleglo's in the room for me. I hate paint, I am a natural wood guy.

So on saturday, I spent several hours, painstakingly going through all of the Rick's (my name is Rick, they will always be Rick's to me - Ric doesn't work.) I found that exactly what they said was true. I couldn't believe the differences in the neck profiles. It was wild how varied they were. Call me crazy, but how cool that a major bass manufacturer didn't have cookie-cutter necks. I considered this an asset at the time.

Also some sloppy finish work and a couple they had trouble setting up properly. They both buzzed badly even after their tech's spent a good amount of time trying to set them up properly. I gravitated to a mapleglo - with the widest and yet thinnest neck I had ever played. I just kept going back to that one, and eventually rang the cash register with it. I hope this isn't a disrespect to this thread in any way - I owned the bass for only a year, and used it on 7 of the 8 tunes on our initial release "Happy the Man" which was produced by Ken Scott. I ended up giving the bass to Paul Reed Smith, but that is an entirely different story. Suffice it to say, the bass held up without problems for about a year and served me well. No issues, nothing odd, even with that ridiculously thin neck.

So that is my story and I am sticking to it. The Rick was replaced with PRS #11, which was medium scale and changed my life:

Paul Reed Smith #11 | Vintage Guitar® magazine

PRS #11 was the only bass I owned, and the only bass I played for over 20 years.

Loved Chuck’s. Bought many amps there. I took my 4001 there in the 70’s and had its tune up done and new Roto 66’s put on. I can’t remember the main man in the shop, but we “fought”. about putting the Roto’s on every time it was in the shop. “Too much stress on the neck”. Never said a word about the fret wear “issues”. I still put them on. I bought the Ric like many players in that era, thanks Chris Squire. And wanted that Roundabout tone like many did. Great store. You could pull out as many amps and cabs as you wanted and try them all day long.
 
Loved Chuck’s. Bought many amps there. I took my 4001 there in the 70’s and had its tune up done and new Roto 66’s put on. I can’t remember the main man in the shop, but we “fought”. about putting the Roto’s on every time it was in the shop. “Too much stress on the neck”. Never said a word about the fret wear “issues”. I still put them on. I bought the Ric like many players in that era, thanks Chris Squire. And wanted that Roundabout tone like many did. Great store. You could pull out as many amps and cabs as you wanted and try them all day long.

Believe it or not, for a year or two - sometime in the mid-1970's - Paul Reed Smith was the head guitar/bass repair tech at Chuck's. He was adamant about never using RotoSounds on a Rick, I heard that lecture myself several times. It was for the exact reason that you describe, too much stress on the neck....

I bet it was Paul...
 
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Loved Chuck’s. Bought many amps there. I took my 4001 there in the 70’s and had its tune up done and new Roto 66’s put on. I can’t remember the main man in the shop, but we “fought”. about putting the Roto’s on every time it was in the shop. “Too much stress on the neck”. Never said a word about the fret wear “issues”. I still put them on. I bought the Ric like many players in that era, thanks Chris Squire. And wanted that Roundabout tone like many did. Great store. You could pull out as many amps and cabs as you wanted and try them all day long.
Believe it or not, for a couple of years in the mid-1970's Paul Reed Smith was the head guitar/bass repair tech at Chuck's. He was adamant about never using RotoSounds on a Rick, I heard that lecture myself several times. It was for the exact reason that you describe, too much stress on the neck....

I bet it was Paul...

Having looked thru many gear stores back then, WMC and Manny’s had to be the best stocked stores I’ve been in. WMC once tried to sell me a purple Marshall Bass head. Said it was a unit from Deep Purple’s order and Roger Glover wasn’t going to use it so……. True or not , good story. Still didn’t buy it. Bought the John Entwistle rig….. Sunn coliseum head with 2 4x12’s or 10’s. I don’t remember truthfully
 
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Hmmmm…… Rotos put too much stress on a solid maple neck through with two trussrods and a 3/8” thick fingerboard? If so, that would be a serious engineering design flaw, cant think of any other contemporary basses that woud apply to. My Fender Jazz was overall thinner than the Ric with a one piece neck, single rod, and 1-1/2” nut width, and I had that thing strung with Roto 66 for years with no issues. Virtually every Ric player I knew changed to Roto Swing 66 chasing that Geddy/Squire clank. I never bought that line. Rotos DID chew up the soft fretwire they used in the late 70’s, I suspect that was the real concern. I was given the obligatory “don’t use Rotos or you’ll void the warranty” lecture by the salesman at E. U. Wurlitzer Boston….. as he happily rang up the strings and my 78’ Jetglo. After three years of normal play with Rotos, the frets were toast, part of the reason I sold that 78’ 4001. I’ve heard the same complaint from others who owned late 70’s Rics, so it was a Thing. The bass came with flats that were almost certainly HIGHER tension than rounds so…. Yeah. String tension had nothing to do with it. They switched to harder fret wire and that was it for the “string tension” problems. They use some kind of standard nickel silver wire now, it holds up fine with rounds.
 
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Hmmmm…… I’ve heard the same complaint from others who owned late 70’s Rics, so it was a Thing. The bass came with flats that were almost certainly HIGHER tension than rounds so…. Yeah. String tension had nothing to do with it.

People tend to believe this “fact”, because most Labella and Fender steel flatwounds were indeed high tension sets. The stock Rickenbacker/Maxima flats were nickle, and very low tension…..and a lighter gauge than the standard Roto Swing Bass set Chris used.
Rotos also definitely tore up frets, and not just on Ricks…..
 
They've tried releasing basses without the bridge/tailpiece unit, with humbuckers, without binding, etc. And people just buy the 4003 anyway.
Which for about a decade and a half, was a geat time to shop for 4004s. :D
People are starting to wake up a bit towards them finally….
QC-wise, the dozen or so I’ve owned over the years have had very few issues. The worst was some not so great finish adhesion on a 2015 Jetglo Laredo I used to have.
0B19A4FC-2677-47A7-ABE5-4CCFD56E01FE.jpeg
 
I’ll never get why the 4004 didn’t take off more, such great looking and playing basses. I do love the look of a bound Ric, but they can be uncomfortable at the forearm. People won’t buy what they can’t play though, I literally never, ever, saw a 4004 hanging on a wall for sale, and have only seen a couple on stage in the past 30 years. “Rare” doesn’t cover it. Maybe they’ll reissue them someday, at least as limited runs like the 4005.
 
I don't know why none of the 30+ Rics I've bought over the years since 1977 have had any QC "issues".....I musta been lucky!

Yeah, me too. I've owned 9 different Rics in my life, and have played many, many others. None of them have had any of the issues some people attribute to them, except one that had some tail lift (easy fix), and one that had finish issues (some lift by the bridge). No biggie. I also own a 4004, which is the best sounding, and most comfortable Ric I own. Too bad it's a 4 string.

*edit - there were several 4004's in my local Sam Ash while they were in production. @Gilmourisgod needs to get off that little peninsula he lives on and into the real world, and maybe he can see some real bass guitars :P

ricfamily.jpg
 
Yeah, me too. I've owned 9 different Rics in my life, and have played many, many others. None of them have had any of the issues some people attribute to them, except one that had some tail lift (easy fix), and one that had finish issues (some lift by the bridge). No biggie. I also own a 4004, which is the best sounding, and most comfortable Ric I own. Too bad it's a 4 string.

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I've never even seen a 4004 except in pictures, I think their using humbuckers may have been a turnoff to some people, not that they can't sound good.
 
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I have two Rics and neither have issues (aside from a repaired crack from an improper truss rod adjustment on the 4001). Routinely read of horror stories about the company's shoddy QC and policies but have to experience them firsthand. I do know that these instruments vary greatly over the years despite being the same continuous model line. It is important to try out a number of them and compare to find the best fit for you. Fenders are more consistent. A B neck P bass is almost always a comfy fit. Some may not be, they may have issues or be boat anchors. Rics are more like mass produced custom shop instruments. Each is unique. Sorry this one isn't up to snuff.
 
I’ll never get why the 4004 didn’t take off more, such great looking and playing basses. I do love the look of a bound Ric, but they can be uncomfortable at the forearm. People won’t buy what they can’t play though, I literally never, ever, saw a 4004 hanging on a wall for sale, and have only seen a couple on stage in the past 30 years. “Rare” doesn’t cover it. Maybe they’ll reissue them someday, at least as limited runs like the 4005.

I had one experience with a 4004 for sale at the big L&M in town, must have been around 2014-15. It was a Snow Glo, and just hanging on the wall when I went in. I actually had my 4003 with me at the time because I was amp shopping. Got to try them out side by side! It was hard to like that 4004 because it was not set up particularly well (high action, but the nut was also cut too high, which made that bad action even worse). I also found the tone incredibly dark compared to my bass, but I've heard that can be as much about the wiring, rather than the actual humbuckers themselves