For me, they're kind of like that girlfriend/boyfriend/partner/etc that is a whole lot of fun but you know is really bad for you.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
That black on black with dot inlays is absolutely beautiful.
That's just an older 4001 TRC I stuck on it. I like it better.Did they offer black trim in 2021 again? I've always wanted a black/black Ric since I saw Pete Farndon of the Pretenders with one in a video years ago, haven't seen that video again though.

Nah, too many cases of the new truss rods breaking. Hard pass for me, for now.I think the new 4003's w/ the updated bridge and single truss rod necks w/ unfinished/non-gloss fretboards are their best work. I've played different eras and these play/sound best to me. They are also very stable.
That's just an older 4001 TRC I stuck on it. I like it better.
Nah, too many cases of the new truss rods breaking. Hard pass for me, for now.
My experience is that you are going to have that Ric itch until you scratch that Ric itch.
Definitely a "try before you buy" bass in my opinion...

Ditto to nearly everything you said. I'm into G&Ls now, and very happy.Definitely a "try before you buy" bass in my opinion...
Why do I say this? - Back in the late 1990s, I bought a used 4003, based simply on the fact that more than one of my bass heroes had, at one time or another, played a Rickenbacker: Geddy, Roger Glover, and Cliff Burton, to name three of 'em.
As it turned out, this was a bad reason to buy a bass. I hung on to that damn thing for about twelve years, even though I eventually came to hate practically everything (minus its looks) about it: The tone; the sticky paint on the back of the neck (yeah, I now know this could have been fairly easily remedied); the legendary-for-being-crappy bridge...
The neck was the worst. I have yet, to this day, to encounter a bass that is as pure murder on my left hand/wrist as that bass was. I would be in pain within 30 seconds of starting to play the thing. If I'd been a gigging bassist, I'm sure I would have sold that bass (which I finally did, for a song - you see what I did there - in 2010) long before I did.
Based on the aforementioned experience, the chances of me ever owning another Rickenbacker are essentially zero, especially in this age of insanely good bang-for-the-buck basses. They look cool, and I know there are plenty who like 'em just fine and can make' em work...this wasn't the case for me.![]()
I had a '76 (I think) Ric back in the day. It was a killer bass with a tiny, fast neck and I installed a Badass bridge. Just a really fun bass. I sold it to fund having an Alembic Series I/II bass built in '81 and always wished there had been a way ($$$$) to keep it. Fast forward to 2021 and I bought a new 4003s from Sweetwater. Price was right and the bass is beautiful. It sounds like a Ric, of course, when the tone switch is pulled up, and amazingly it sounds like not a Ric with the switch not engaged. So far so good. The neck, though, is huge. I'm thinking at some point I'll probably strip the finish and shave it down quite a bit for the '70s 4001 feel. It's not my go-to bass by any means at this point (Lakland fretless 5, Ibanez EHB1506MS and the aforementioned Alembic 4 split that duty), but there is a certain midrange timbre to a Ric that I haven't been able to duplicate (I can get close with the Alembic) and that, when I have more time to spend playing into the black box, I want for certain things. Could I function with a newish 4003 as an only instrument? Sure, I could, but I'd want to shave down that neck.I'm not at all unique in having a few "dream basses", ones that I've always wanted to have but have usually been *just* out of reach. I'm fortunate to have experience with most of them, but the Rickenbacker has always eluded me. I was able to get very close to one played by a member of a local metal band once, but that's about it.
For some time, I've had a "Ricky Bass Fund". I've dipped into it here and there for general bass-related expenses, but the intention has always been to one day get that Rickenbacker. But now that I've progressed so much as a player and have heard such polarizing reviews of these classic models, I wonder if my cash might be better spent elsewhere (perhaps a Gibson Grabber, which has been my no. 2 dream bass about as long as I've fantasized about the Rickenbacker). I would like to hear what the former and current Rickenbacker owners of TalkBass have to say about your experiences-- the good and the bad.
My 4001 was the first bass I really liked, bought it used in about 1984. Had a Gibson Grabber before that, didn't like it and sold it. Still have the 4001, but in 2008 I bought I new 4003 which I still play all the time. For me, I've never had an issue with my forearm on the binding, nor has the pickup cover ever bothered me as I play behind it anyway. I like the sound and the feel, for me a Rickenbacker bass is a great instrument. For others, for you, I don't know.I'm not at all unique in having a few "dream basses", ones that I've always wanted to have but have usually been *just* out of reach. I'm fortunate to have experience with most of them, but the Rickenbacker has always eluded me. I was able to get very close to one played by a member of a local metal band once, but that's about it.
For some time, I've had a "Ricky Bass Fund". I've dipped into it here and there for general bass-related expenses, but the intention has always been to one day get that Rickenbacker. But now that I've progressed so much as a player and have heard such polarizing reviews of these classic models, I wonder if my cash might be better spent elsewhere (perhaps a Gibson Grabber, which has been my no. 2 dream bass about as long as I've fantasized about the Rickenbacker). I would like to hear what the former and current Rickenbacker owners of TalkBass have to say about your experiences-- the good and the bad.