I know I read it somewhere but it was maybe 10 years ago, so I don't recall where. I remember it because RATM was (and still is in some way) my favorite band and I decided to try flats after reading that. But I admit it could be a wrong information.
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Right bass for the band?
- Thread starter TheIndieKid
- Start date
I know I read it somewhere but it was maybe 10 years ago, so I don't recall where. I remember it because RATM was (and still is in some way) my favorite band and I decided to try flats after reading that. But I admit it could be a wrong information.
Philosophy is wondering if ketchup is a smoothie
Ahah, ketchup is actually a non-Newtonian fluid!
The best philosophers answer a question with a question.
If you asked me for a smoothie, and I gave you a cup of ketchup with a straw, would you be satisfied with what I had given you?
The technician in me just says "Don't be ridiculous. Of course it's not a smoothie. Smoke another one."
This year I was playing ina country band. I used a PBass , a Mustang and a Hofner. I would switch just for the fun of it. No one ever said "bring the PBass it sounds better" (all three basses got the job done). When I bought my first medium scale - an SX Jbass, I brought it down and used it. For whatever reason both the guitarist and the drummer said "that bass sounds great, keep using it". I was very surprised - a $ 120 bass got the rave review. Amp settings were the same. I guess it just fit the mix better, I really don't know, but that's what happened.
Yeah. It's a common mistake. I have always boosted my mids, and sometimes roll off a bit of bass, just so it doesn't interfere with the kick drum.
Yep he may well use them, but even though I do play in a Band doing some RAMT covers, I am nowhere near as good as him or even Juan Alderete and I need my rounds LOL
Anyway, as others pointed out I'd try other strings or brand of strings before swapping out the Bass.
On my 51 Re-Issue CIJ, I use GHS Precision Flats. Those have a nice clicky attack that makes it sound like I'm using a pick. I have another bass with Sadowsky Black Label Flats, but have not used it in a band setting yet.
Everything else has brighter stuff strung on it.
Everything else has brighter stuff strung on it.
Either an Ibanez ATK300 or an MM stingray. Maybe even a Jazz Bass.
have you tried roundwounds? might give you more versatility in a harder rock setting
I dealt with this a bit for a while, myself.
I LOVE playing my Squier CV 70's Pbass. It's the easiest to play, I get some of my best tones out of it, it's ridiculously comfortable, and it's pretty lightweight.
When I initially began playing with this group, it was a small issue. It's passive and the band prefers an active, more modern sounding bass to fill the bottom end. I've since gotten a few active basses and, in a way, I agree with them based on the type of music we're playing (party/dance covers), but I definitely miss playing my PBass.
Either way, I agree with a few people who've already responded - Play what you feel best on, and what sounds best in your music to you. I can almost guarantee NOBODY in the audience will really notice or care, and if YOU feel good on your instrument, ya tend to play better.
Just my 2 cents.
I LOVE playing my Squier CV 70's Pbass. It's the easiest to play, I get some of my best tones out of it, it's ridiculously comfortable, and it's pretty lightweight.
When I initially began playing with this group, it was a small issue. It's passive and the band prefers an active, more modern sounding bass to fill the bottom end. I've since gotten a few active basses and, in a way, I agree with them based on the type of music we're playing (party/dance covers), but I definitely miss playing my PBass.
Either way, I agree with a few people who've already responded - Play what you feel best on, and what sounds best in your music to you. I can almost guarantee NOBODY in the audience will really notice or care, and if YOU feel good on your instrument, ya tend to play better.
Just my 2 cents.
that is such a whimsical idea that i may have to buy one and figure out how to evil it up
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scroll down the page for the "bye bye kitty" bass - awesome!
Record your band (cheap boom box, your phone with Garage Band-just try something). If you can hear yourself and like the way it mixes, you have already won. Congratulations! Ben Kenny plays with flats and sounds huge. I have been big on having the right tool for the job for a while. I can usually make a P type bass sit in any band, but my 5 has a MM style pickup on it and rules in jazz, gospel and funk settings. If you want to channel Timmy C, I would hang my hopes on a jazz bass (or knockoff) A squire VM jazz bass really shocked me with how well it sits in our mix. No matter what, if you cannot be heard, it will drag you down.
I may be wrong, but I think Juan plays rounds quite often, especially with his fretless gear.
I thought that Edie Brickell said that Philosophy was the talk on a cereal box.
You are absolutely correct that you need to have the right voice for the band. Let that drive your search. I would suggest that you try some round wound strings and a different EQ before dropping money on another bass. I will also suggest that you need to consider, as I have found out, going from a short scale bass to long scale, and or 4 string to 5 or more strings takes a while to adjust and can be maddening at times.
