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Right hand anchor point for playing over neck

I'm transitioning to jazz and found that for that I like the sound a lot better when I play just below the base of the neck. I'm used to anchoring my thumb on a pickup. At the base of the neck there's nothing to anchor by, except the neck itself, which puts my hand too high up. I can force my hand over the neck but as I play it tends to drift down to the old pickup-anchored spot.

Anyone have tricks for retraining my right hand to stay over the neck?
 
My 70s Jazz has a thumbrest right below the neck. Put thumbrest on yours?

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You should be aware that dust from wenge is not something you want to breathe and splinters will go septic. It shouldn't be a huge concern when only drilling a hole or two but it's definitely something to be aware of.

Any standard thumb rest should do but you will of course need to find the sweetspot for your style of playing. Maybe try with some double-sided tape first until you find the optimal position?

Another option would of course be to play without a thumb rest/anchor point. After all, lots of players do. It's really just a matter of getting used to it. Of course I understand if this isn't something you want to do but personally I find any kind of ramps/thump rests in that area to get in the way of my playing (and I nearly always play up there).
 
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There are a LOT of technique approaches you can take before drilling holes in your bass!

I, as many players do, anchor on the lowest string (in my case, E) and my thumb follows about 2 strings behind where I'm plucking, resting on the A or even D string as needed to keep my right-hand position consistent. When I need to pluck the lowest string I either rest the thumb lightly against the body, the top corner of the fretboard, or simply float it without an anchor point.

Personally I would spend a while working on my technique before doing potentially catastrophic or at the very least irreparable damage to my #1 bass.
 
I'm transitioning to jazz and found that for that I like the sound a lot better when I play just below the base of the neck. I'm used to anchoring my thumb on a pickup. At the base of the neck there's nothing to anchor by, except the neck itself, which puts my hand too high up. I can force my hand over the neck but as I play it tends to drift down to the old pickup-anchored spot.

Anyone have tricks for retraining my right hand to stay over the neck?
Strings, body.
 
I play at the base of the neck and over the fingerboard most frequently. I like the tones I can develop there, as OP has noted.

I find the fingerboard edge provides a sufficient anchor for me when I need it. For me, the anchor is more a point of reference than a point from which to dig in, if that makes sense.

As has been stated, this also provides a good opportunity for you to explore the floating thumb technique. I find myself unconsciously not anchoring much of the time these days.

It's just a matter of practice and getting used to it. Focus on this technique and it won't be long before training and muscle memory take over and allow you to be comfortable throughout the area of possibilities for your plucking hand.

You may experience different results, but this works for me.

Good luck

Koog
 
I'm transitioning to jazz and found that for that I like the sound a lot better when I play just below the base of the neck. I'm used to anchoring my thumb on a pickup. At the base of the neck there's nothing to anchor by, except the neck itself, which puts my hand too high up. I can force my hand over the neck but as I play it tends to drift down to the old pickup-anchored spot.

Anyone have tricks for retraining my right hand to stay over the neck?

Well, resting the thumb against the neck as an anchor point worked pretty well for Jamerson..

It's like anything else, the more you keep your thumb there, the more natural it will become. Keep working on it. when you notice your thumb has moved to the pickup, move it back. Eventually your thumb will get the message.