Perhaps that is the key. With that horn
section, at that time especially, the whole rhythm section best give up some real estate.
section, at that time especially, the whole rhythm section best give up some real estate.
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I played Jungle Boogie in high school pep band. What a time to be learning slap bass!My high school band, especially the trumpet line challenging the other band's picked up on that song
Honestly, yeah, the 80's version of the band was not the same as the late 60's-70's version of the band funk wise. They adopted a more commercial approach. There was money to be made. They added a new lead singer and the rest is history. They basically abandoned funk for pop. Their very early works were most definitely jazz/funk based though. Long before Hollywood Swinging and Jungle Boogie. But hey, people evolve and change.Unfortunately IMHO, their rhythm section's approach to Groovy/Funky music was a bit too simple and homogenized. Sort of the Lawrence Welks of funk (see "Joanna") and Kool indeed provided equally limp wrist and homogenized basslines.... IMHO...
Are you focusing on the music or just the bassist? The songs were good. No matter whether funky or not. No matter whether Kool played simple or not. The songs wouldn't be the same with any other basslines!You are correct. The pre JT and re-tooling years were better. THAT was an extreme example. Good catch counselor.
I just cannot get excited about a "funky" bassist that plays so safe and square, sans any shuffle whatsoever.
He should be playing behind Johnny Mathis.
Does nothing for my boogie shoes.
It's bad for my TMJ.
Again IMHO.
Exactly.Well, I can't say I entirely disagree. I was never all that impressed by Kool as a bassist per se. For me it's more about the whole with that band.
Most of Kool & Gang's song were centered around his basslines (funky or not/ simple or not)!Are you focusing on the music or just the bassist? The songs were good. No matter whether funky or not. No matter whether Kool played simple or not. The songs wouldn't be the same with any other basslines!
Are you focusing on the music or just the bassist? The songs were good. No matter whether funky or not. No matter whether Kool played simple or not. The songs wouldn't be the same with any other basslines!
"Jungle Boogie" is easily one of the funkiest songs I've ever heard (and I was born in 1962, so I grew up on the funk). That song didn't need so much as one more note or beat played by any of the musicians
Yeah, not many guitarists can truly play funk guitar. Many come close but it ain't quite right. Gotta learn how to really chop those notes off in the right place.You think the bassline is simple [sic], check out the guitar part! One note...but that one note is just covered in stank!
"One note covered in STANK!".I did an arrangement of "Jungle Boogie" for the ad hoc ensemble of friends that performed a few numbers at my wedding, and I couldn't agree more: All I had to do to make that number be a standout throwdown was transcribe exactly what Kool & The Gang played and then just hang on for the ride. You think the bassline is simple [sic], check out the guitar part! One note...but that one note is just covered in stank!
Robert "Kool" Bell of Kool & the Gang is one of the most underrated bass players.
He is a great example of a bass player who doesn't display extraordinary chops, but
is one of the best bassists at creating memorable/hit basslines.
I will put his body of work against any past or present bass player.
Too many to list, so I provided a few of the most memorable basslines created by Mr. Bell
Examples:
Jungle Boogie
Fresh
Celebration
Get Down On It
Too Hot
Ladies Night
Happy Birthday, Kool!