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Roger Waters tone **WHICH PICKUPS?**

Now, do you mean the bass tone on the records, or on the live concert recordings? On the records, er, I mean, albums, (records - now I'm really dating myself. But then again, I've listened to this stuff since it was new, and my best friend growing up knows every single background voice in the entirety of Dark Side. And being an English major in college, he can also recite most of the Coleridge library from memory. But I digress...) Gilmore is actually the one who laid down a lot of the bass tracks. That said, You can't go wrong with simpler is better: P. As in P-Bass. As in Period. As much as Wright experimented with keys, organs, synths, etc., and as convoluted as Gilmore's setup was, and as lavish as their stage sets were, Mason usually kept it to a straightforward Ludwig set and Waters used the P. (all this post-Syd Barrett, of course).

There is no dark side of the moon, really. As a matter of fact, it's all dark....

^ This is true, Gilmour did do most of the bass tracks....
 
I'd go with the Duncan quarterpounders, I think. I'd heard that he actually did swap out the stocks for the Duncans around the time of the Wall or so. (sounds right, the Duncan quarterpounds were released in the 80's, am I correct?) But honestly, I can duplicate some of his tone with a jazz bass, actually. It's much more in your playing approach, settings, strings, and effects. Just out of curiosity, why are you trying to duplicate his exact rig, anyway? are you in a Floyd tribute band?
 
^ This is true, Gilmour did do most of the bass tracks....

Here's a quote from Gilmour:

"He had developed his own limited, or very simple style. He was never very keen on improving himself as a bass player and half the time I would play bass on the records because I would tend to do it quicker. Right back to those early records; I mean, at least half the bass on all recorded output is me anyway. [...] Rog used to come in and say, 'Thank you very much' to me once in a while for winning him bass-playing polls."

(Rock Compact Disc magazine, September 1992)
 
I'd go with the Duncan quarterpounders, I think. I'd heard that he actually did swap out the stocks for the Duncans around the time of the Wall or so. (sounds right, the Duncan quarterpounds were released in the 80's, am I correct?) But honestly, I can duplicate some of his tone with a jazz bass, actually. It's much more in your playing approach, settings, strings, and effects. Just out of curiosity, why are you trying to duplicate his exact rig, anyway? are you in a Floyd tribute band?

The Wall was recorded in late '79. First time I remember seeing QPs was in the 80s.
 
Here's a quote from Gilmour:

"He had developed his own limited, or very simple style. He was never very keen on improving himself as a bass player and half the time I would play bass on the records because I would tend to do it quicker. Right back to those early records; I mean, at least half the bass on all recorded output is me anyway. [...] Rog used to come in and say, 'Thank you very much' to me once in a while for winning him bass-playing polls."

(Rock Compact Disc magazine, September 1992)

Though it's well known David played some of the bass parts in PF recordings, particularly the fretless parts, I wouldn't put too much stock in anything either of those guys said about the other. ;)

But was Roger was always more interested in being a songwriter/lyricist/artist than a "musician".


Oh, and I like the Fender '62 PU too.
 
Though it's well known David played some of the bass parts in PF recordings, particularly the fretless parts, I wouldn't put too much stock in anything either of those guys said about the other. ;)

But was Roger was always more interested in being a songwriter/lyricist/artist than a "musician".


Oh, and I like the Fender '62 PU too.

But will the 62 be too warm and not enough punch?