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Root Fifth (Jamerson Style)

I've been plaing through my ...Shadows of Motown book and I noticed that I have trouble with the faster 16th sounding root (LOW) fifth parts (R-5-R-5). They just don't sound as clean as I'd like them to.

Any tips on finger position or ways practice that might help me become more efficient ? I usually fret the Root with my index and the 5th with my middle finger should I reverse it ?

G---------
D---------
A-----Eb(R)
E-----Bb(5)

Thanks,
Rich
 
See, this question is why I'm so much in favor of strict alternation rather than raking. Jamerson used one finger, but we're not Jamerson. At one point, I completely dropped raking and went to strict alternation, and just did everything I did with SA. Within a month I did a lot better with parts I used to stutter on when I raked.

Also, you should be using index and ring finger on the left hand. The index and middle finger are too close to each other for a two-fret R-5 stretch.
 
Also, you should be using index and ring finger on the left hand. The index and middle finger are too close to each other for a two-fret R-5 stretch.

Only for those with baby hands:ninja:

I'm fairly blessed with decently large hands and fingers, and can do the R-5 stretch easily, as well as OFPF, even at the top of the neck. The rest of my bass playing skills are depressingly average, unfortunately:hmm:
 
This root inverted fifth you're talking about - it's like the beginning of Reflections, isn't it?

I would barre both with my pinky + ring finger and shift pressure from the joint to the tip, just sort of rolling my finger between the two strings... but I don't know if my technique is "correct" or not.
 
I would use separate fingers... try just tapping the line with your left hand. this will give you a little better practice on what your left hand should be doing here... then you just have to keep up with your right hand
 
The fingering that I would use would depend on what OTHER notes are involved, both before this passage AND after it . . .

But, in general, when playing a root to lower 5th and back, I'll find myself using the middle finger for the root and the index finger for the lower 5th . . . OR . . . the ring finger for the root and the middle finger for the lower 5th . . . OR . . . the little finger ("pinky") for the root and the ring finger for the lower 5th.

That last option gets a lot of use, especially when the line involves walk-ups from the 5th to the 6th and/or the flat 7th . . .
 
You definitely use different fingers so you can lift/mute independently. I would use R on the root & M on the fifth.

I get all the muting I want my way - it's not like I completely lift as I go to the next one.

This way works too, but when I do it your way it sounds off to me - like I'm choking the note before it should stop. It's a weird/subtle difference, but it's there.