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Roscoe Club

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All the fretless talk a page back had me wanting to post of pick of this tone monster. I've since changed the strings to the La Bella gold tapewounds which I prefer to the ones in the photo.

Do you have any problem with the tapered B string producing a chorus-like effect as you move-up the fretboard? I've tried the LaBella copper whites on my fretless, but could not get past the B-string warble.
 
I do not use tapercore strings. Keith believes they cause intonation difficulties. I prefer the O.E.M. D'Adarrio XL's. I love the tone I get with them.
A rep from LaBella told me that other players don't have a problem with their tapered nylon tapewound B strings. She said I probably had a bad B string in my set and sent me a new one. The new one did the same thing.
 
Do you have any problem with the tapered B string producing a chorus-like effect as you move-up the fretboard? I've tried the LaBella copper whites on my fretless, but could not get past the B-string warble.

I do not use tapercore strings. Keith believes they cause intonation difficulties. I prefer the O.E.M. D'Adarrio XL's. I love the tone I get with them.


I was using LaBella super steps with expose core at the bridge. And it has some pretty major problems intonating. (On a 35-inch Fretted LG-5)

The thing is, the taper core were my favorite new strings.

So not being able to use them on a Roscoe really bums me out. But I think it's just the bridge.. change the bridge and I would imagine you can use exposed score strings.

But I like stock bridge on the Roscoe too! Ha.

The thing about using exposed code strings is the feel of them, tone, and sustain.

So trying the usual D'Adarrio, or DR or other is all great, but they don't have the "feel" of the exposed core. They play themselves and (in "my" head) so far sounded better than all the other strings I've tried. (However I've mostly tried a lot of boutique strings)

I switched back to "normal" strings after using the exposed core (LaBella supersteps) and now I lost a small level of fun.

Sounds crazy right, but have you tried exposed core strings?

Now having said that, exposed core let's you bend the string more and is just easier and looser. So if you like a stiff string, then exposed core is not for you. But I'd you want the bass to play(feel) like butter, then exposed cores are for you.

So I've been debating installing a new bridge on my LG-custom, but I feel it's not worth it for me to modify my current Roscoe, as I see the future with a headless and fretless Roscoe anyway, so I won't make any changes for right now.

And I'm pretty sure they don't make headless exposed core strings.. or at least I don't know about them.

Ok just throwing that out there.

Sorry for the long post.

Keep on Roscoe'n
 
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I was using LaBella super steps with expose core at the bridge. And it has some pretty major problems intonating. (On a 35-inch Fretted LG-5)

The thing is, the taper core were my favorite new strings.

So not being able to use them on a Roscoe really bums me out. But I think it's just the bridge.. change the bridge and I would imagine you can use exposed score strings.

But I like bridge on the Roscoe too! Ha.

The thing about using exposed code strings is the feel of them, tone, and sustain.

So trying the usual D'Adarrio, or DR or other is all great, but they don't have the "feel" of the exposed core. They play themselves and sounded better than all the other strings I've tried. (I've tried a lot of boutique strings)

I switched back to "normal" strings after using the exposed core (LaBella supersteps) and now I lost a small level of fun.

Sounds crazy right, but have you tried exposed core strings?

Now having said that, exposed core let's you bend the string more and is just easier and looser. So if you like a stiff string, then exposed core is not for you. But I'd you want the bass tee play(feel) like butter, then exposed cores are for you.

So I've been debating installing a new bridge on my LG-custom, but I feel it's not with it for me to modify my current Roscoe as I see the future for me with a headless and fret less Roscoe anyway, so I won't make any changes for right now.

And I'm pretty sure they don't make headless exposed core strings.. or at least I don't know about them.

Ok just throwing that out there.

Sorry for the long post.

Keep on Roscoe'n
I love the sound and feel of the LaBellas on my fretlless. The B string issue just kills it for me, though.
 
Sounds like you're really enjoying the Roscoe Jazz Clint. Certainly looks nice!:)
I'm looking forward to the Middle GA GTG this fall. I really want to see Dave's headless Roscoe in person.
we should be announcing the GTG date soon. Hopefully some of you Roscoeheads can make the trek to GA and join in.


We have some dates to choose from for the Middle GA Bass GTG this year. We're leaning toward Saturday Oct 14th?
How would that date work for any Roscoeheads that would like to attend?

The other choices are Oct 7 or 21st.
 
Looking for some opinions for pickups for a Century Standard Plus 5. I like the stock Bart pickups a lot, but I'm in need of a more 'traditional' sound for my Americana/Country band. My other Century 5 (a RMLE) has Aguilar DCB's. I like those a lot too, but they don't have the sound I'm looking for either.

I know I could just pick up a 5 string P-Bass, and still might, but Roscoes are my favorite fivers and I'm just wondering if maybe a pickup swap (and maybe the pre) could get me the tone I'm looking for.
 
Looking for some opinions for pickups for a Century Standard Plus 5. I like the stock Bart pickups a lot, but I'm in need of a more 'traditional' sound for my Americana/Country band. My other Century 5 (a RMLE) has Aguilar DCB's. I like those a lot too, but they don't have the sound I'm looking for either.

I know I could just pick up a 5 string P-Bass, and still might, but Roscoes are my favorite fivers and I'm just wondering if maybe a pickup swap (and maybe the pre) could get me the tone I'm looking for.
I struggle with this a bit. I have the Bart soaps/pre in my Century 5 and I love the bass so much but it can sound a bit "modern" at times. I would like to pull the trigger on a classic but I'm not quite there yet.

I find if I roll the treble way off - almost all he way and boost the upper mids just a bit, if I roll the blend to the neck I get a nice sound that is closer to a P-ish tone. Takes some of the edge of it - especially rolling the treble off.
 
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