Roscoe is about the highest end bass I’ve tried. I did have a Warwick Dolphin Pro 5 a long time ago. Stephan Lessard influence. That had an amazing B string and looked cool but was heavy and of corse didn’t sit on your lap or a stand. I had a pair of Modulus Q5’s (fretted and fretless) that I thought we’re “it” for a while. Had a pair of Ken Smith Anniversary basses. Again really nice. But I really can’t say I’d rather have any of them over my Roscoe’s. I sometimes think I shouldn’t be so singular in my selection - as there are some really nice basses out there - but then after I play one of them, I pick up one of my Roscoe’s and think, oh yeah, that’s why I have 3 of these. And if it’s not a Roscoe for someone that’s great. I just hope they find a bass that they love.
I had a Modulus fretted 5 for a while that I though would be my fretted of choice- but I wished it was a Roscoe-same with the Alembic I won in a cancer benefit raffle at a local music store. My wife told me to get rid of it and to get a Roscoe this last year. I'm glad I did.
My first bass instructor had a fretless 5 from a guy who recently retired from the luthier business (and is renown for his fretless basses). That bass sounded great, it played really well, and he kept offering to trade my Roscoe for his fretless XYZ. He'd joke and say, " C'mon man, trade me your Ferarri for my Lambo!" And we did for a gig or two- but I had the same thoughts you did every time I played my Roscoe after playing something else.
I avoided publicly brand naming as to be respectful to current owners, but there is one bass brand that I’m chomping at the bit to try, and that’s a Fodera, since they are revered as ‘the’ US made bass.
They don’t offer a 18-18.3mm bridge spacing option, so my chances at owning one are very slim!
I haven't been able to try one. I'd like to just to see what the hype is about.
