I've known a couple of violin and/or cello players over the years. They all have applied rosin to their bows using quick a back-and-forth rubbing motion. On the other hand, it seems that bass players usually apply their rosin with one or more long, smooth swipes.
I'm curious to better understand why the different techniques?
My best guess is that because violin and/or cello rosin is harder/drier, the quick back-and-forth rubbing motion is needed to warm up the rosin so that it will stick to the bow hair?
If the above theory is true, maybe when a cake of Pop's goes rock-hard two weeks after purchase, all we need to do is change our application method from long swipes to quick rubs? In the past, my response to rock-hard Pop's is to throw it away, or re-melt the rosin mixed with something more long-lasting (such as Oak).
I'm curious to better understand why the different techniques?
My best guess is that because violin and/or cello rosin is harder/drier, the quick back-and-forth rubbing motion is needed to warm up the rosin so that it will stick to the bow hair?
If the above theory is true, maybe when a cake of Pop's goes rock-hard two weeks after purchase, all we need to do is change our application method from long swipes to quick rubs? In the past, my response to rock-hard Pop's is to throw it away, or re-melt the rosin mixed with something more long-lasting (such as Oak).