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Sadowsky Blue Label Stainless Steel... yes!!


I tried blue labels and I think they probably did the tapers because on 35" scale basses they can feel stiffer on string tension so maybe it was to cater to that? I've noticed Dr long necks have a taper as well

I understand the reasons for tapered B strings. But IME the sound has inharmonic tendencies, increasing as you play higher up on the neck. It also makes the disparity between the sounds of the B and E strings even greater.

Every few years I try a set but I'm never happy with it. I did like the F Bass (LaBella) exposed core set on SOME instruments. But those have exposed cores on all 5 strings, so at least the sound is more consistent.
 
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I understand the reasons for tapered B strings. But IME the sound has inharmonic tendencies, increasing as you play higher up on the neck. It also makes the disparity between the sounds of the B and E strings even greater.

Tapered B vs. non-tapered B... This has been hit and miss in my experience as it depends on the bass as well as the string design.

I once tried the Sadowsky Blue Label SS rounds on my son's Ibanez SR1205E and the tapered B didn't work very well due to the monorail bridge design where the tapered end extended too far on the wrong side of the saddle.

Sadowsky on 1205 200406.jpg


Non-tapered B's always sounded undefined and unbalanced with the rest on my Yamaha TRBX505. The B with an exposed core solved that problem by improving on both definition and clarity.

Here's the 505 with
SIT Power Wound Nickels with an exposed-core B: (Note the exposed core fits much better on this bass by being the right length.)

SIT PWN on 505 231122_2.jpg


My Yamaha BB435, on the other hand, does fine with a non-tapered B. SIT Fusion Wound Stainless 40-60-80-100-120.

SIT FWS 240514.jpg
 
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