For any fellow rock/punk players using an always on sansamp, where do you set the sansamp gain vs the gain on your amp? Are you using both? Just one?
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For any fellow rock/punk players using an always on sansamp, where do you set the sansamp gain vs the gain on your amp? Are you using both? Just one?
I have the bass driver di. And thats how ive always thought to set things up. Amp settings first, then pedal. But up until yesterday i had been running both my BDDI gain and the gain on my amp (tone hammer 500) at about 10 oclock. I felt like the two different gains were competing in an undesirable way so i tried lowering the gain on my pedal to 0 and just upped the presence knob to full and i think my tone in the mix of my band improved slightly.Depends on the existing platform and desired outcomes...but still a good question! I bypass the pedal and set the amp profile then add the pedal and adjust the gain / volume / EQ. I use a Bass Fly Rig and try to get the bypassed and active modes to roughly match. Use your ears as there is no hard & fast rule. Some folks just say "scrap it", bypass the amp's preamp, and use the FX return to minimize conflict. IMO, the SansAmp stuff "plays nicely" when added to the front-side of virtually any amp.
Not sure what SansAmp product you're referencing but mine has a "boost" option so I can kick things up a notch. You should be able to embellish the tonal character of the host amp without any undue / undesired clipping or bumps.
Riis
I have the bass driver di. And thats how ive always thought to set things up. Amp settings first, then pedal. But up until yesterday i had been running both my BDDI gain and the gain on my amp (tone hammer 500) at about 10 oclock. I felt like the two different gains were competing in an undesirable way so i tried lowering the gain on my pedal to 0 and just upped the presence knob to full and i think my tone in the mix of my band improved slightly.
It is, at best, a balancing act and a conflict in your case. If you think about it, the TH has its own dedicated pedal preamp with a unique vibe which goes head-to-head with BDDI. Not a durn thing wrong with your choice of compensation. JOOC, what happens when you flip-flop the settings: drop the gain on the host TH and boost the drive on the BDDI?
Riis
I have the bass driver di. And thats how ive always thought to set things up. Amp settings first, then pedal. But up until yesterday i had been running both my BDDI gain and the gain on my amp (tone hammer 500) at about 10 oclock. I felt like the two different gains were competing in an undesirable way so i tried lowering the gain on my pedal to 0 and just upped the presence knob to full and i think my tone in the mix of my band improved slightly.
I have the SansAmp programmable Bass Di, when I do use it with an Acoustic combo I by pass the EQ section of the amp and run it to the receive on the effects loop. Much better than the EQ on the Amp. IMHO

Same, I always, always, when possible, play my SansAmp BDDI V2 into the "power amp in"/"return" of the amp I play with. That way, there's no gain or volume issues, everything including the EQ is managed on the SansAmp, it basically becomes THE preamp and the amp is just a power amp.
IF the amp I play with doesn't have such input, I go to the front but usually set everything as flat as possible. I then use my SansAmp the same way I usually set it up, gain wise. And then I'll adjust on the amp, but I'm not a fan of this solution.
I think you answered your own question here.I felt like the two different gains were competing in an undesirable way
Very nice description of this use caseDepends on the existing platform and desired outcomes...but still a good question! I bypass the pedal and set the amp profile then add the pedal and adjust the gain / volume / EQ. I use a Bass Fly Rig and try to get the bypassed and active modes to roughly match. Use your ears as there is no hard & fast rule. Some folks just say "scrap it", bypass the amp's preamp, and use the FX return to minimize conflict. IMO, the SansAmp stuff "plays nicely" when added to the front-side of virtually any amp.
Not sure what SansAmp product you're referencing but mine has a "boost" option so I can kick things up a notch. You should be able to embellish the tonal character of the host amp without any undue / undesired clipping or bumps.
Riis