I played a gig at a nice club last night, and I really liked the mix I was hearing onstage. My rig is a hotrodded Jazz into a mid-boosted Carvin into a 15" Peavey speaker. I run my signal through a Sansamp BDDI, which gives a nice mid-scooped sound that complements my mid-boosted amp tone. Last night I had the sound guy run a DI from the BDDI, in lieu of micing my cab. However, listening to a FOH board recording, the sound was comparatively dead when I engaged the BDDI distortion as compared to how it sounded on stage. Should I just run a cab mic as well, or is there a more elegant way to get some midrange to my FOH signal?