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SBMM Stingray Short scale

Picked up a sunburst a few weeks ago. Made several upgrades, including the tuners, tone pot, knobs, string tree
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and strings. Also hit the entire neck and fretboard with a Scotchbrite pad and wax. Very impressed with this little monster.
 
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Picked up a sunburst a few weeks ago. Made several upgrades, including the tuners, tone pot, knobs, string tree View attachment 4820565 View attachment 4820566 and strings. Also hit the entire neck and fretboard with a Scotchbrite pad and wax. Very impressed with this little monster.

Nice job on the tuners, they look factory.
These basses are absolutely wonderful, a great platform for upgrades, and fun as heck to play too.
 
Just an FYI for those looking to do mods to the pots. The tone pot that is stock in the bass is a 100k. So if you use a 500K or 250k pot in the bass, you will experience a brighter tone.

I purchased the EBMM stock tone pot for the USA version of this bass, which is 500k with 1/4 inch solid shaft. The holes in the control plate fit the larger USA pot, however, the sound is brighter as I said. I also purchased the USA Push Pull pot from EBMM but haven't installed it or examined the stock one yet. Just wanted bass brothers and sisters to be aware of this.
 
Just an FYI for those looking to do mods to the pots. The tone pot that is stock in the bass is a 100k. So if you use a 500K or 250k pot in the bass, you will experience a brighter tone.

I purchased the EBMM stock tone pot for the USA version of this bass, which is 500k with 1/4 inch solid shaft. The holes in the control plate fit the larger USA pot, however, the sound is brighter as I said. I also purchased the USA Push Pull pot from EBMM but haven't installed it or examined the stock one yet. Just wanted bass brothers and sisters to be aware of this.

I'm wondering, how are you going to incorporate the push pull pot? The SBMM pickup has a 3 way rotary switch (single coil, series, parallel) it seems you'd have to leave one of the pickup modes out.
I have a push/pull on the MMTW EMG that I installed in mine and it's just noiseless single coil and humbucking.
I don't think the EBMM model offers the same 3 way option as the SBMM does.
You can probably find a better quality 3-way switch at Mouser electronics online.
 
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I'm wondering, how are you going to incorporate the push pull pot? The SBMM pickup has a 3 way rotary switch (single coil, series, parallel) it seems you'd have to leave one of the pickup modes out.
I have a push/pull on the MMTW EMG that I installed in mine and it's just noiseless single coil and humbucking.
I don't think the EBMM model offers the same 3 way option as the SBMM does.
You can probably find a better quality 3-way switch at Mouser electronics online.
Actually, I was just going to replace the volume pot, which is push pull, and gives the volume boost in the pull position. I like having that feature for times when i need to stand out in a section.

The existing Alpha 3 way rotary seems to work fine. I will only replace that if it fails down the line.
 
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Actually, I was just going to replace the volume pot, which is push pull, and gives the volume boost in the pull position. I like having that feature for times when i need to stand out in a section.

The existing Alpha 3 way rotary seems to work fine. I will only replace that if it fails down the line.

Oh right, I totally forgot about the volume boost and you're correct, that existing pot is pretty cheap.
It's actually not a volume boost it just removes a pad that is in the circuit which in turn makes the bass louder.
I wonder if there is any difference in the tone of the bass between the 2 volume modes.
I think if you change out the pot, you'll need to look at the old one for any resistors that they use to pad the volume, I don't think it's a function of the volume knob alone or the pickup itself.
 
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One of the few mods I've done to mine so far is to replace the P/P volume pot with a quality standard pot.
The original simply gives full volume in the 'boost' position and a cut/pad in the 'normal' position.
Easy to achieve the same result by simply rolling back the volume with a standard pot (common practice with gittars), eliminating the rather cheap feeling P/P pot.
However, some folks are probably more comfortable using the pre-sets of a P/P....
 
Actually, I was just going to replace the volume pot, which is push pull, and gives the volume boost in the pull position.

The existing Alpha 3 way rotary seems to work fine. I will only replace that if it fails down the line.
Oh right, I totally forgot about the volume boost and you're correct, that existing pot is pretty cheap.
It's actually not a volume boost it just removes a pad that is in the circuit which in turn makes the bass louder.
I wonder if there is any difference in the tone of the bass between the 2 volume modes.
I think if you change out the pot, you'll need to look at the old one for any resistors that they use to pad the volume, I don't think it's a function of the volume knob alone or the pickup itself.
Here is a wiring schematic that someone posted earlier in this thread. There is a 156k resistor that is in series when the switch is pulled up. There is also a small capacitor that is in the circuit in both switch positions as it routs to ground. Not sure what the function of the capacitor is. The pot resistance is not provided on the diagram.
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Here is a wiring schematic that someone posted earlier in this thread. There is a 156k resistor that is in series when the switch is pulled up. There is also a small capacitor that is in the circuit in both switch positions as it routs to ground. Not sure what the function of the capacitor is. The pot resistance is not provided on the diagram.View attachment 4820823
That resistor is used for a common circuit called a "treble bleed" and is used to keep the treble from rolling off as you turn the volume pot down. G&L was the first company that I ever knew that used them, they work.
And the cap is probably there to keep it from popping when you pull and push the switch.
 
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That resistor is used for a common circuit called a "treble bleed" and is used to keep the treble from rolling off as you turn the volume pot down. G&L was the first company that I ever knew that used them, they work.
And the cap is probably there to keep it from popping when you pull and push the switch.
I always like to learn new stuff. I read a great article about treble bleed circuits here:
Mod Garage: Deep Diving into Treble-Bleed Networks

So actually, the system shown in the schematic I posted, on the pull side of the volume switch is a treble bleed parallel circuit. What I'm NOT understanding, is how that system is boosting the volume. Anybody have an idea?
 
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I always like to learn new stuff. I read a great article about treble bleed circuits here:
Mod Garage: Deep Diving into Treble-Bleed Networks

So actually, the system shown in the schematic I posted, on the pull side of the volume switch is a treble bleed parallel circuit. What I'm NOT understanding, is how that system is boosting the volume. Anybody have an idea?

As it´s a passive circuit it cannot "boost" - in one position it cuts the volume and the "boost" position is the normal volume/output level.
 
As it´s a passive circuit it cannot "boost" - in one position it cuts the volume and the "boost" position is the normal volume/output level.
Which is super annoying. This bass is almost perfect as it is. Why did they didn’t just put an ordinary vol knob I’ll never understand. The push push control just seems gimmicky
 
As it´s a passive circuit it cannot "boost" - in one position it cuts the volume and the "boost" position is the normal volume/output level.
Treble bleed circuits have been around for a long time.. more common in the electric gittar world.
That schematic shows the volume hot output running thru the T/B in both positions, but shunting thru the resistor in the down position, thus reducing output.
That is my confusion related to the push pull pot. I always thought that when "pulled", the top 2 terminals were tied into the circuit, with the middle 2 terminals being the common. And when "pushed", the bottom two terminals tied into the circuit. By the explanation, the "pushed" position would tie in the resistor. So is this switch reversed compared to a normal push-pull?
 
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I'd say you're right. I'm no wiring expert, but I have done many, many repairs & mods over the years.
The way I see this illustration, the switch is upside down. The top 2 contacts (in the red oval) show the signal path with the switch 'down' in a normal position. The 'hot' (pickup signal) passes thru both the T/B and the resistor on it's way to the short black wire that feeds the volume control to the output to the jack.
When the switch/knob is 'up', it only goes thru the T/B on it's way to the volume pot, giving full signal like a standard setup.

DDwpydd.jpg

If I'm wrong about this, please educate me!
That being said, the stock setup sounds pretty good imho, but I prefer the simplicity of skipping the push/push...
 
I'd say you're right. I'm no wiring expert, but I have done many, many repairs & mods over the years.
The way I see this illustration, the switch is upside down. The top 2 contacts (in the red oval) show the signal path with the switch 'down' in a normal position. The 'hot' (pickup signal) passes thru both the T/B and the resistor on it's way to the short black wire that feeds the volume control to the output to the jack.
When the switch/knob is 'up', it only goes thru the T/B on it's way to the volume pot, giving full signal like a standard setup.

DDwpydd.jpg

If I'm wrong about this, please educate me!
That being said, the stock setup sounds pretty good imho, but I prefer the simplicity of skipping the push/push...
Thank you! So, I'm not crazy after all...
I opened the cavity and the resistor and cap are located on the top terminals, as shown in the diagram.
 
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