Gibs210
Commercial User
- Aug 31, 2019
- 850
- 875
- Disclosures
- Part time Tech Support for Source Audio effects
Engine probably isn’t the best descriptor for artifakt’s 7 way selector, as all of those use multiple blocks of settings to make the “engine” that are all user definable, vs a single engine the likes of what you see from our other pedals. (With the exception of things like c4, ultrawave, and eq2). In the case of artifakt, the engine can be as complex as using every available block (exception being the the time based and glitch blocks are either/or and can’t be used simultaneously), or you can use a single block if you’d like. Such as to make a simple tremolo, or a chorus, etc.From the manual:
Even machines have brains. We’ve armed the Artifakt with a 7-Way Effect Selector Switchas an efficient and easy way to explore multiple lo-fi elements, the controller of the out-ofbox experience and the key to exploring the depths of Artifakt’s collection of lo-fielements.The seven engines on the Effect Selector Switch are not presets and are independent fromthe Artifakt’s presets. Turning the Effect Selector Switch after selecting a preset willoverride those preset settings and load the engine on the dial instead. Additionally, theRADIO, TAPE, µVERB, CRUSH, LADDER, VINYL, and GLITCH positions can be overwrittenwith new settings, but only by using the Neuro 3 App.On the next page is a description of each of the seven engines and a comprehensivebreakdown of their engine-specific controls.
My take is these are effect groupings that are good starting places to explore the sound possibilities as well as a starting place for creating some types of sounds. There is a card and page ion the manual that covers what function each of the controls will do depending on the chose Engine or Factory preset.