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Settle an argument. (Fender vs. FSO vs. non-FSO)

Pick the answer that accurately describes a Precision bass.

  • It must be a Fender Precision Bass. No substitutes.

    Votes: 63 18.8%
  • Doesn't have to be a Fender, but it must be a FSO.

    Votes: 87 26.0%
  • Doesn't have to be an FSO, as long as it has one split-coil pickup.

    Votes: 34 10.1%
  • It doesn't have to have only ONE split-coil pickup. It can be a P-J and still qualify.

    Votes: 22 6.6%
  • It can be any body shape, and any number of pickups, as long as ONE of them is a split-coil.

    Votes: 28 8.4%
  • Carrots

    Votes: 101 30.1%

  • Total voters
    335
Historic fact 1: the 'Precision' bass doesn't The monicker 'Precision' meant a fretted neck and a bridge with adjustable saddles which made the intonating player-friendly, and were meant to be the selling factors (as well as a smallish size) of the new instrument - setting it apart from double basses.


Physical fact 5: to have THE REAL Precision sound you needs must have 2 large fiberglass saddles and a string-thru construction. You should also have flatwound strings as 'that is how it was meant to sound', but those are not inherent to the construction of the instrument

Physical fact 6: unless yours is an ash body / maple neck bass, it is not THE Precision 'how it was meant to be'.

***
As you see, one can make as many idiotic statements based on truth as I just did if I only pick the arguments that, being absolutely true, absolutely ignore the real-life context.
Don't be like me, be better.
Bakelite saddles. Not fibreglass.

Don't think the saddles had anything to do with naming it a Precision bass. The original two strings per saddle thing is less than precise as far as intonation precision goes. Frets were definetly part of the precision selling point though
 
Bakelite saddles. Not fibreglass.

Don't think the saddles had anything to do with naming it a Precision bass. The original two strings per saddle thing is less than precise as far as intonation precision goes. Frets were definetly part of the precision selling point though
Of course it was bakelite, thanks

Don't compare the two saddles to the four saddles. Compare the intonatable bridge that has 2 separately movable in 2 directions parts that every Jack can adjust with a simple screwdriver in a minute to a glued-in maple bridge that can only intonate all the strings as a whole piece, by moving it only as much, one turn at a time, and maybe carving it when needed. That takes an experienced man to setup and plenty of time, and then maybe a new bridge whenever you are out of the range of shaving it
 
Of course it was bakelite, thanks

Don't compare the two saddles to the four saddles. Compare the intonatable bridge that has 2 separately movable in 2 directions parts that every Jack can adjust with a simple screwdriver in a minute to a glued-in maple bridge that can only intonate all the strings as a whole piece, by moving it only as much, one turn at a time, and maybe carving it when needed. That takes an experienced man to setup and plenty of time, and then maybe a new bridge whenever you are out of the range of shaving it
I take your point about the adjustability innovation compared to the double bass arrangement.
 
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