For the test, I'd play through a cranked LPF like a Xerograph, split the signal after that, apply the mThump to one and DI both.
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The following is the "illustration" that provides me with everything that I need to know about the efficiency gain realised by placing an [sfx] micro-Thumpinator in a signal chain:
[sfx] micro-Thumpinator - YouTube
Yeah, I don't like that the only video out there is by the maker.
Here is another one.
[sfx] Microthumpinator video demo 1 - YouTube
And one more.
[sfx] Microthumpinator video demo 2 - YouTube
I'll get around to the graphic display later this week and put up another poll.
Sometimes the maker/builder/designer is the BEST person to demonstrate their product. They know exactly what their product was designed for and will be able to best demonstrate how well it performs that task.
If they are honest, as I believe Max is, then there shouldnt be a question if what they are demonstrating is less then what they are advertising.
-Frank
Yeah, I don't like that the only video out there is by the maker.
I may have missed what your point is. But when someone makes a statement like that, there is an underlying implication that there is a doubt that what the manufacturer is claiming or demonstrating is less than honest or over hyped.
-Frank
I agree. YouTube is not the best place to assess audio difference. Especially at the limit of the frequency response of the majority of the audio equipment.The thumpinator filters sub sonic content. I doubt you would hear a difference on a YouTube clip.
(...) However string attack is very much a part and parcel to the issue when considering signal below 30Hz. (...) There is also a lot more of the subsonic signal in the actual attack of the note than in the sustained portion, unless some additional processing is added. (...)
It's a filter, and it has a steep rolloff starting at about 31 Hz. It is not dynamic. The reason I/we commented on soft notes vs huge spiky thumps is that there is nothing below 31 Hz happening in any normal musical content from a bass (assuming open B is the lowest note). The subsonic content only occurs if you percussively pluck/slap/hit the strings in a way that creates a "thump" that's not a part of the frequencies of the actual note.
Yeah, I don't like that the only video out there is by the maker. (...)
I may have missed what your point is. But when someone makes a statement like that, there is an underlying implication that there is a doubt that what the manufacturer is claiming or demonstrating is less than honest or over hyped.
That's the same implication I read in your statement.
(...) I had a MicroThump. I felt that it did everything that it said it would do. But that's the problem with it. It ONLY does what it says it will do.
I take your word for it but my experience is quite different. My customers write to me with enthusiastic feedbacks about what the micro-Thumpinator does. So far nobody complained that it doesnt do more.Some people get it and are in disbelief that it doesn't do more.....
I have to take your word for it and I have no doubt you have more than one case to substantiate your claims but I have a very different experience.(...) others are in such shock that it doesn't at least do something magical that that can be heard that they start to trying to find ways to justify the money they threw into it. And when that search brings up nothing....resentment. (...)
I suspect that the price people pay in the US is somehow different from the price paid in Europe because of the exchange rate. Having said that, I would like to point out a few things:.....since it costs so ******* much. (...) Lots of people are cool dropping that kind of cash on a grossly overpriced but very useful thing, others are in such shock that it doesn't at least do something magical that that can be heard that they start to trying to find ways to justify the money they threw into it. (...)
It wont go do in price sorry.I know I couldn't justify that price tag. If that thing went down in price, I would totally snatch one up, again.
Yes I have, and you are exactly right. Especially for very percussive playing. It can even reduce/eliminate the benefit of multi-band (as opposed to normal single-band) compression when slapping.boomertech said:Have you experimented with the mThump before a compressor? I was thinking that they may compliment each other really well and allow the comp to operate more transparently (less work).