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Sheehan fans - LOOK!

electracoyote said:
Wow, Billy does his own fret leveling. Cool.

One note kids: He forgot to mention the part about removing relief and making the fretboard flat before you begin ;) Otherwise, great advice, especially about trying to figure out as much as you can about how to put a good, personalized set-up on your guitars.

I also think he use to work on his own amps back in the day.
 
and his bass has/had dual outputs, too.....

I noticed that. What good is a Billy Sheehan-esque bass without dual outputs? Unless they simply used a TRS jack?

The mudbucker pickup is not very accurate, aesthetics-wise, either.
I don't think anyone is going to want an old Gibson mudbucker like The Wife had, but the (DiMarzio?) version with the black plastic, and two rows of pole pieces just doesn't look the same.
 
What good is a Billy Sheehan-esque bass without dual outputs? Unless they simply used a TRS jack?

The idea is that you can send each pickup's signal to a different amplifier, creating a unique stereo mix (a full bass tone from one amp plus a full treble tone from the other). The Rickenbacker 4003 is the most well-known bass with that feature, which has been used by many other bassists aside from Sheehan (Chris Squire, Geddy Lee and John Entwistle come to mind).
 
Alvaro Martín Gómez A.;11798242 said:
The idea is that you can send each pickup's signal to a different amplifier, creating a unique stereo mix (a full bass tone from one amp plus a full treble tone from the other). The Rickenbacker 4003 is the most well-known bass with that feature, which has been used by many other bassists aside from Sheehan (Chris Squire, Geddy Lee and John Entwistle come to mind).

You've misread me.
I'm well familar with the biamped setup Billy uses, and with the way he runs his rig, it's pretty useless to only have the one output. To my knowledge, whenever Billy plays his bass through only one amp, he just uses the P pickup.

You really have to have the dual outputs to take advantage of the P/Mudbucker setup.
 
Will they do a 'heavy relic' version with the pickguard all cracked up and pinned down with metal circles?

instr_34body.jpg
 
HI

Awesome. We used to go see him when he was with Talas in the early 80s. We would hang around before and after the show. He let me play his bass once. I was expecting the coolest, lowest action Fender ever. What I got was the lousiest highest action bass ive ever played. Its amazing what he could get out of that instrument being the state of its setup and condition. Greatness for sure.

Rob

I never imagined "The Wife" having a great feel for anyone but Billy. That's very cool that you were able to meet him, and get to play such an iconic bass.

Did he cut out a thumbrest in the pickguard...looks like there's an anchor point between the P pickup and EBO pu.
 
I actually got to play the Wife back in 1981 for a few minutes backstage at Stage One. Ok, 30 years ago, but I don't recall the action being high. It was heavy as hell, and loved how he wore a great thumb spot into the pick guard , but I thought it was easy to play. Billy was starting to teach at the time and I as discussing doing lessons with him. Never transpired, but he was a nice guy.
 

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