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I disagree. My preference, and that of a lot of other players, is to lean the bass bridge-first into the corner, leaning on the shoulders with the neck pointing straight up.
Matt R. said:Is a stand a bad idea then? And why? And why would you lean the bass in the corner bridge-first? Just to minimize potential impacts?
Just wondering. I'm waiting for my first Shen to be delivered and I already have an Ingles stand. Thanks!
What kungfu is doing is not something for the faint of heart
Is a stand a bad idea then? And why? And why would you lean the bass in the corner bridge-first? Just to minimize potential impacts?
Just wondering. I'm waiting for my first Shen to be delivered and I already have an Ingles stand. Thanks!

I don't think stands are inherently bad, but they are fallible. I have an Ingles that my wife bought me, and while it's more solid feeling than a Hamilton or other bass stand, the corner of my music room is much more solid.
My Ingles is very good at shredding the edges of old plywood basses, especially when the back is purfled. That's most of the reason I stopped using mine.
You can stand the bass bridge-out but because of the geography of the instrument, it's not as stable as bridge-in. Bridge-in has the added benefit of protecting the bridge from passersby and pets.
One caveat: if your endpin tip is not rubber and your floors are not carpeted, your bass could slip.
God forbid something major happens to it, I won't freak out.