I'm brand new here, so I hope I'm posting in the most relevant thread. I feel like I am. Anyway...
I'm a recent convert from electric/acoustic guitar. I have fallen completely in love with bass. I've been playing electric bass for almost a year now. Thing is, I'm totally enamoured with the DB. I'm practically dreaming about it.
I'm 5'3 or so. My hands are pretty ****ing small, BUT, I can hold my own on a Jazz bass. I can tear it up. And my pinky is strong as hell by now.
I was wondering if this is a feasible dream for me, to play DB. If it is, what size bass would be good? 3/4? 1/2 is pretty much for children right? I want to play psychobilly/rockabilly.
I know this probably isnt the most captivating question, so I appreciate y'all reading it and giving me feedback (and encouragement?)
rock n' roll
Congrats on the switch, firstly!
Second of all, I have (or had, depends on if you ask me or her) a friend who's actually your same height who plays a 3/4. She gets around on it as well as I do--she's actually got small fingers, but then again, I have long fingers so maybe it's just a bad comparison.
1/2 isn't necessarily for children. If you listen to Tom Waits, Greg Cohen, Tom's bassist for the album "Orphans" recorded on a half.
3/4 is the standard size, so I'd advise that. That way, if you ever need to borrow a bass or if somebody just tosses you one and tells you to play, you don't have to acclimate yourself to different spacing between notes. Also, most higher-quality basses are 3/4 size basses as well.
If it's the volume of the instrument that deters you, I think Upton makes a custom model that's got a 5/8 body with a 3/4 fingerboard and string-length, but don't quote me on that.
I wouldn't get any of the books or anything just yet. I'd get a teacher first. Knowledge in human societies is based off of building what the people before you have done--using their findings and successes to make yourself successful and hopefully add to their progress to contribute to whatever route of study you choose. This applies to instruments, as well. Double Bass is like that, and I find that so amazing about it. You're riding the same wave as Dragonetti, Koussevitsky, NHOP, Ray Brown and Gary Karr and you're laying down your own masonry to the bass-knowledge collective. The only way to really and effectively absorb it (unless you're some virtuoso born with a natural knowledge of it) is to get a teacher, though.
I've been making notes on the bass for seven years--and I say making notes because I've only started playing it in the past year. It used to be just a mechanical process for me--put fingers here, pluck this string, makes this note. But when I got serious about it and when I really fell in love with it, I felt and still feel the same thing you're talking about. I named my bass Martha--I see her in my dreams, think about her when I can't play her and she's always somewhere in the background of my head. I've stopped identifying myself as a student in school anymore--I'm a bassist now, and when people ask me what I do, that's what I tell them.
I do suggest learning at least basic orchestral repertoire, though, because already I've found that even the simple, rudimentary pieces will show up again and they will come back to haunt you. You'll find little bits of one piece that crop up again in another in some way--some fingering that's similar or even the same phrase with different bowings or the notes are different lengths. It's a good foundation to build off of.
Best of luck!