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Short notice , note for note?

The last Month or so, I've been hit with four different bands needing me to fill in at the last minute. (I mean, always,"This Sat.!! Help!" I go for note for note ALWAYS, and try to find out which version THEY are listening to. Man, nothing like having to learn almost 400 songs in a short amount of time. I'm gonna back off from that stuff..it's just too crazy. My next gig is in two weeks...and it just feels like a Cadillac ride to have so much time to get ready! (Only 50 Songs! I love it!) Note for note, always!
 
I responded to an ad for a bass player in a currently working cover band. Thursday afternoon. They gave me a list of 6 or so songs. Audition is this Saturday. Is common for them to expect note for note accuracy? Or would you think that being in the right key/ chord progression is close enough? As long as I have the "hook" of the song.
2 nights to learn 6 songs note for note. Stop the madness.
 
Just to add to this, the bands that I've seen locally that advertise as being note for note? They aren't. Every tribute act I've seen that's at the local/hobbyist level that advertises themselves as note for note are not...This goes for Phish/Floyd/Zepelling/ Rush tributes. To the causal listener it probably sounds note for note, but if you are familiar with the albums you can hear a lot of things missing.

Coincidentally, I just saw that a Grateful Dead cover band is advertising a "note for note" rendition of Europe '72. I know some of the guys in that band, and while they are really good musicians, I'd be surprised as hell if they are offering a true "note for note" experience of Europe 72. There is a ton of improv on that album, and to learn that entire thing note for note would be something...not saying they aren't doing it that way, just saying I'll be amazed if they are.
 
i hope this is in the right forum. Did a search and came up empty.
I responded to an ad for a bass player in a currently working cover band. Thursday afternoon. They gave me a list of 6 or so songs. Audition is this Saturday. Is common for them to expect note for note accuracy? Or would you think that being in the right key/ chord progression is close enough? As long as I have the "hook" of the song.
Thanks in advance.
i hope this is in the right forum. Did a search and came up empty.
I responded to an ad for a bass player in a currently working cover band. Thursday afternoon. They gave me a list of 6 or so songs. Audition is this Saturday. Is common for them to expect note for note accuracy? Or would you think that being in the right key/ chord progression is close enough? As long as I have the "hook" of the song.
Thanks in advance.
It's ridiculous to expect you to come in and play a song note for note perfect on Saturday when you only got in touch with them on Thursday. Unless they're clearly stating that they expect potential players to be able to sight-read very well and are providing notated charts, the idea is ridiculous. I wouldn't even waste your time with these ones.
 
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Sweet child o mine is played by GNR tunes half a step down. The BL told me they play it in the original key but do not tune down. Does that seem odd to anyone? It does to me. Same thing with SRV's "Rude Mood" I think I would have to tune down as there are plenty of low Eb's in both songs. (I play 4 string)
It is also common for garage note for note types to refer to the ''key being the same'' when they play the same chord shapes and in efect transpose from record key. It is highly unlikely they actually perform fingerboard gymnastics to achieve the record key without tuning down.
 
It is also common for garage note for note types to refer to the ''key being the same'' when they play the same chord shapes and in efect transpose from record key. It is highly unlikely they actually perform fingerboard gymnastics to achieve the record key without tuning down.

Now all bets are off when it's a keyboard player that's the band leader. Transpose magic!
 
Thanks for all the advice from everyone. Audition went actually very well. Most everyone's predictions were spot on. Played the 6 songs. And next thing you know about two hours and 20 songs later I had to excuse myself. I had somewhere to be. They said they had a couple more auditions and they would let me know by Wednesday. If I don't get it it definitely won't be because I'm not good enough, it will be because someone else is better. Which is ok by me. There is always someone better. But all in all a good group of nice people and it was fun.
 
so LGP didn't blow you up for soloing over his arpeggios?

How note for note were they?
To be clear they never told me "note for note" I was just asking my brethren here on talk bass if they thought they might expect it. And they had no idea if I was playing note for note. But we're good enough they would notice if I was in the wrong cord.
 
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Sweet child o mine is played by GNR tunes half a step down. The BL told me they play it in the original key but do not tune down. Does that seem odd to anyone? It does to me. Same thing with SRV's "Rude Mood" I think I would have to tune down as there are plenty of low Eb's in both songs. (I play 4 string)
No this happens often but you have to work that out with the band.