Hey I'm from MA too! Right on the RI border!
Thanks for giving us your minor league baseball team. WOOSOX 2020!!!
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Hey I'm from MA too! Right on the RI border!
Thanks for giving us your minor league baseball team. WOOSOX 2020!!!
But don't call the first fret on the B string "F". It's not. It's "C".
Always has been, always will be.
Learn the actual notes on the fretboard. It'll pay dividends down the line.
My reason for that is simply because I love the way it sounds, I'm not a fan of the tighter string spacing of 5 strings I have noodled with at the local big box and virtually all the music I love is played on drop tuned basses.
As I mentioned back in post #2, calling that note 'C' would be the correct terminology for most classical and jazz musicians, and for circumstances when you are playing with concert-pitch instruments.
On the other hand, if you are playing with like-minded rock or metal guitarists, then it would be very common and perfectly appropriate to call that note 'F.'
Versatile multi-genre bassists typically have both of these skills.
On the other hand, if you are playing with like-minded rock or metal guitarists, then it would be very common and perfectly appropriate to call that note 'F.'
Keep in mind that you are judging the tone based on the particular bass you are using, with the particular strings, pickups, etc. that it has, through whatever amp you are using. There are lots of ways to change your tone, and I would put tuning BEAD down near the bottom of the list.My reason for that is simply because I love the way it sounds
I am a new bass player and I am just wrapping up the final lessons on bassbuzz.com which I have enjoyed. I will be done in a few more days and then I was planning on getting my bass strung BEAD by a really good local tech who has experience with it. After that I was thinking I would start private lessons with a local teacher I have texted back and forth with a few times, seems like a solid guy. I have brought up my plan to string BEAD and he said he's totally fine with it, won't be an issue at all if that's what I want to do, either way is fine. My question to you guys is whether or not I should become really proficient with the bass in EADG before exploring alternate tunings or if I should just start off with what I want to do which is play a bass strung BEAD. My reason for that is simply because I love the way it sounds, I'm not a fan of the tighter string spacing of 5 strings I have noodled with at the local big box and virtually all the music I love is played on drop tuned basses. My goal at the end of the day is just to become the best bassist I can be and if that means learning on EADG first and putting off the alternate tuning then so be it. Thanks for your input!
take what you've got to the lesson and make a plan for learning (more). you and your teacher can go over the issue in more detail.I am a new bass player and I am just wrapping up the final lessons on bassbuzz.com which I have enjoyed. I will be done in a few more days and then I was planning on getting my bass strung BEAD by a really good local tech who has experience with it. After that I was thinking I would start private lessons with a local teacher I have texted back and forth with a few times, seems like a solid guy. I have brought up my plan to string BEAD and he said he's totally fine with it, won't be an issue at all if that's what I want to do, either way is fine. My question to you guys is whether or not I should become really proficient with the bass in EADG before exploring alternate tunings or if I should just start off with what I want to do which is play a bass strung BEAD. My reason for that is simply because I love the way it sounds, I'm not a fan of the tighter string spacing of 5 strings I have noodled with at the local big box and virtually all the music I love is played on drop tuned basses. My goal at the end of the day is just to become the best bassist I can be and if that means learning on EADG first and putting off the alternate tuning then so be it. Thanks for your input!
I see you have a lot of questions all over the fora... one tip for you => Stop worrying so much and start practicing, all your questions will be answered by the time that comes by....I am a new bass player and I am just wrapping up the final lessons on bassbuzz.com which I have enjoyed. I will be done in a few more days and then I was planning on getting my bass strung BEAD by a really good local tech who has experience with it. After that I was thinking I would start private lessons with a local teacher I have texted back and forth with a few times, seems like a solid guy. I have brought up my plan to string BEAD and he said he's totally fine with it, won't be an issue at all if that's what I want to do, either way is fine. My question to you guys is whether or not I should become really proficient with the bass in EADG before exploring alternate tunings or if I should just start off with what I want to do which is play a bass strung BEAD. My reason for that is simply because I love the way it sounds, I'm not a fan of the tighter string spacing of 5 strings I have noodled with at the local big box and virtually all the music I love is played on drop tuned basses. My goal at the end of the day is just to become the best bassist I can be and if that means learning on EADG first and putting off the alternate tuning then so be it. Thanks for your input!
I just have a lot of questions... I like asking them here... isn't what what the forum is for? By the way I practice plenty, thank you.I see you have a lot of questions all over the fora... one tip for you => Stop worrying so much and start practicing, all your questions will be answered by the time that comes by....
IMHO the tuning doesn't matter as long it is in fourths... the patterns stay the same.
I suppose so. I've just never thought of it as being anything more than losing those notes. I guess it works differently for each of us.I'm just noting it's not as simple as losing a few notes at the top of the range.
Ahhhhhh, and that explains why I didn't see it as more than losing the top five on the G string. I've been avoiding open strings like the plague since '91 when I got my first fiver. No particular reason other than using the neck real estate differently....and a riff originally from EADG tuning that uses the open G and/or D strings as well as other notes on the G string can't just move, it has to be adapted.
Getting Passive/aggressive here???? Feel free to ask as many questions as you want.... but be aware questions induce answers.... not only the one you want to hear...I just have a lot of questions... I like asking them here... isn't what what the forum is for? By the way I practice plenty, thank you.