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SHOW YOUR DISTRESSED FINISHES!

This shot of the CAR over red Tele bass is good visual informative for a convincing DIY 'relic' job. As in, no 'sanding' involved, or if so - with pumice and 8000 wet emory cloth. The layers were 'rubbed' off from years of playing, so to replicate that convincingly one would need to replicate the 'rubbing-off' (and polishing at the same time) but in an accelerated fashion. I haven't tried that yet but I'm sure I could do it after seeing this pic.

View attachment 3740110
Yes, it's subtle and sometimes folks get hasty with the abrasives. Well, frequently even. I did a Charvelle waaaay back for a guy that wanted that Vernon Reid (see example below) sort of look but with more and brighter colors. It looked funny spraying it until the feathering began, then it looked nice after. Playing wear as on that red slab, to my eyes is like a soft topographical map and that's where I internally cry foul when I see something that was more aggressively abraded.
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Yes, it's subtle and sometimes folks get hasty with the abrasives. Well, frequently even. I did a Charvelle waaaay back for a guy that wanted that Vernon Reid (see example below) sort of look but with more and brighter colors. It looked funny spraying it until the feathering began, then it looked nice after. Playing wear as on that red slab, to my eyes is like a soft topographical map and that's where I internally cry foul when I see something that was more aggressively abraded.View attachment 3740149

That's an example of a creative finish using "relic'ing"/distressing as the vehicle. Similar to a dipped finish in the way that it is a colourful "look" which doesn't have basis in replicating a player-worn finish.
 
Looks like using the edge of the guard as a thumbrest.
Re: Fullerplast - it was clear. As I understand it, earlier bodies were dyed yellow and then sprayed with Fullerplast to seal. Starting late 1964-1965 the process changed where it was Fullerplast first and then the semi opaque/transparent yellow mixed with white sprayed over it (yes, to hide lower quality wood or more laminations).
Looks like using the edge of the guard as a thumbrest.
Re: Fullerplast - it was clear. As I understand it, earlier bodies were dyed yellow and then sprayed with Fullerplast to seal. Starting late 1964-1965 the process changed where it was Fullerplast first and then the semi opaque/transparent yellow mixed with white sprayed over it (yes, to hide lower quality wood or more laminations).

Thanks for the clarification on Fullerplast -that makes sense. That 1959 8mm movie of the Fender factory shows a finisher slathering Fullerplast with a big fat brush on raw wood bodies.
 
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Looks like using the edge of the guard as a thumbrest.
Re: Fullerplast - it was clear. As I understand it, earlier bodies were dyed yellow and then sprayed with Fullerplast to seal. Starting late 1964-1965 the process changed where it was Fullerplast first and then the semi opaque/transparent yellow mixed with white sprayed over it (yes, to hide lower quality wood or more laminations).

The red Tele is another story - was it originally red in '68? and the refinished CAR later? If so red would have been a custom colour to start with in the first year of the Tele-bass.
 
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Thanks for the clarification on Fullerplast -that makes sense. That 1959 8mm movie of the Fender factory shows a finisher slathering Fullerplast with a big fat brush on raw wood bodies.

I'd have to go back and watch that again though I suspect it was the yellow dye being applied as that was either dipped (often confused for Fullerplast) or by brush. Fullerplast is clear and usually sprayed - and pretty thin - with the function of being a sealer.

The red Tele is another story - was it originally red in '68? and the refinished CAR later? If so red would have been a custom colour to start with in the first year of the Tele-bass.

Have seen a couple original CAR Tele basses and that looks (from as much as one can see in the photos) right. Has the gold metallic coat as it should (switched from silver '64-'65). I would think it could be either original or refin.
 
PS on the Fullerplast thing, Fender used other sealers prior to Fullerplast. The Guitar HQ site (which, while there are some errors, is pretty accurate) says Fullerplast use started about 1963.

"Fullerplast is a clear, sprayed chemically curing sealer, unaffected by solvents after it dries. It is made by Fuller O'Brien (1-800-368-2068), hence the name "Fullerplast" (and all this time you though it was named after the city of Fullerton, the home of Fender). Fullerplast soaks into the wood and creates a seal that prevents following coats from soaking into the wood like a sponge. This means spraying the color coats is easier and the coats can be applied thinner (saving material, money and dry time). Even though alder is a "closed pore" wood, the first few coats of lacquer will soak in like a sponge without some type of sealer coat. Fullerplast dries in 15 minutes, and is paintable in one hour. It is also applied very thin.

Most experts agree the actual product "Fullerplast" (as made by Fuller O'Brien) actually started to be used around 1963 at Fender. Prior to that, Fender used other products as their sealer coat, but they did the same thing. The sealer allowed any color coat (be it sunburst or a custom color) to not soak into the wood. Since the sealer is essentially a clear inexpensive primer, less color would be needed (and color costs a lot more money than a cheap sealer).

Another misconception about Fullerplast is it's color. The sealers Fender used including Fullerplast was clear, not yellow. The yellow seen in the unpainted portions of a 1956 and later Alder body is actually a stain or dye applied under the sealer coat. This was used to simplify the sunbursting process. The Alder bodies are dipped in a vat of yellow stain/dye. Next the Alder body is sealed with a very thin coat of clear sealer (i.e. "Fullerplast"). After drying, the sunburst procedure is continued by spraying the translucent red (starting in 1958) and dark blackish-brown on the edges of the body, which completes the sunburst look. Finally a clear coat is sprayed over the entire body to seal the colors. By dipping the alder bodies in a yellow stain first, instead of spraying yellow lacquer, there is one less step of lacquer to mix, spray, and dry. *

By fall 1964, Fender changed the yellow making it more whitish and opaque to better hide flaws in the wood. This allowed Fender to use cheaper Alder (and smaller multiple pieces) with more cosmetic flaws. The more whitish yellow was then sprayed over the sealer coat, as were the red and brown of the Sunburst. That is why the red and yellow now looks much different on late 1964 and later Fenders. This new whitish-yellow bleeds through the translucent red making it more orangish. Note that even though Fender was now spraying the yellow after the Fullerplast, they still continued to stain or dye the bodies yellow before the sealer coat."


Vintage Guitars Info - Fender custom color finishes on vintage Fender guitars
 
They had the original that was photo'd for the wrap but don't know it's origin. Most likely a search for ZZ Top FCS guitars/basses will find everything you need to know about it.



@God's Favorite Bass - This popped into my feed on YT. The guitar tech for ZZ Top explains the origin of the finish starting at 5:40. It is a sticker based on a picture of a precision that had been in a flood. Pretty cool actually.
 


@God's Favorite Bass - This popped into my feed on YT. The guitar tech for ZZ Top explains the origin of the finish starting at 5:40. It is a sticker based on a picture of a precision that had been in a flood. Pretty cool actually.


I recall seeing a thread about that '56 on here or one of the other guitar forums. Neck was really thrashed with the skunk stripe and rod popped out.

Here's a Tele Bass (also in red apropos to earlier comments) which also went through a flood:
Katrina Rescue: 1971 Fender Telecaster Bass - Strange Guitarworks
 
Ad photo from a current Fender on-line promotion - there were other 'relic'd' guitars in this pic but when I grabbed it became cropped. Looks like they are getting really good at authentic-looking distressing. Quite a concept really - becoming proficient/good at 'degrading' a finish. Sounds strangly counterproductive but it's actually very productive when the appropriate gestalt has been achieved. And for anyone who still doesn't 'get' why this is a premier finish - basically think of all the extra aesthetically focused hand-work done after the guitar/bass has been finished as new.

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