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signature bass fail...

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P vs J. When there's a ridiculous amount of debate on how different these basses are, I think it stands. Also, THE WARWICK IS ACTIVE, or did you miss that part while you were stroking your constant negativity? ;)

I'm sticking with the constant negativity, thank you. Go with what you know, right?
 
Wait yes, they do ... and they are passive ...

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Says the three pots are "Volume, Bass, Treble." Interesting! As a Fender P player who appreciates the feel of a Warwick, I find it hard not to like the look of this hybrid signature.

Thanks for the link - I did my own (failed) search, which led me to yet more Adam Clayton signature models. No "sig hate" here, but I do feel a player should at least be synonymous with
a particular model before this "signature" gambit is deployed. Otherwise it just reeks of an Adam Levine-type cash grab.
 
Says the three pots are "Volume, Bass, Treble." Interesting! As a Fender P player who appreciates the feel of a Warwick, I find it hard not to like the look of this hybrid signature.

Thanks for the link - I did my own (failed) search, which led me to yet more Adam Clayton signature models. No "sig hate" here, but I do feel a player should at least be synonymous with
a particular model before this "signature" gambit is deployed. Otherwise it just reeks of an Adam Levine-type cash grab.
He endorsed a Warwick Reverso back in 2010 (link below). Not sure why. Pretty sure he's not synonymous with it. Not a big U2 follower, but I thought he was a P man.

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Wow it wasn't until the 5th message in this thread that someone knocked Adam Clayton's bass playing. Might be a new record!

True. I usually feel compelled to offer a half-hearted defense of Clayton's playing, which is actually quite distinctive and inventive on the first couple of u2 albums. Like many a rock band, I think U2 were arguably more vital and interesting as musicians before they could play entirely "properly." Certainly more inventive. In any case, defending U2 around here offers limited gains, so perhaps I'll pass today...
 
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I usually try to mount a contra-defense of Clayton's playing, which is quite distinctive and inventive on the first couple of u2 albums. Like many a rock band, I think U2 were arguably more vital and interesting as musicians before they could play entirely "properly."
Certainly more inventive.
Soundscapes are veritable achievements. Well-formed and executed musical "ideas" are, too. Simplicity that doesn't suck is always revelatory. Their technical skills be damned, they've made a lot of quality recordings.
 
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Since when is being a good player part of the criteria to get a signature bass? I think many of the signature basses are a way for companies to sell more instruments to kids. I am pretty sure that Fender did the Mark Hoppus bass so they could sell more basses to Blink-182 fans, not because Mark Hoppus was a transcendent bass player. Marcus Miller is a different story....

...although ironically the Mark Hoppus bass is one of the relatively few Fender signature models that offers something other than a regular production bass with a different paint scheme.

Yeah, I was gonna say that. The Hoppus P-Bass was a pretty cool little instrument. Lightweight Jazz Body and Neck with P-Pickups, Badass (IIRC) and a single volume knob.
 
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