Not a big Rush fan (I admire them though for sure), but my CIJ Geddy is a killer Jazz. Been through 3 different pickup swaps and different pickguards so now it's not 100% Geddy, but I'll never sell this beast.
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I wanted a jazz bass. Did some research and a lot of love for the geddy jazz. Bought it and love it. It's the CIJ model. I changed the pickguard to black and looks better to me.There are mentions of Signature basses (such as the Chris Squire Rickenbacker) all over the “Basses” threads and in some other areas, but have we ever discussed them as a whole? Yes, I know, it is difficult to generalize about them because by nature they are all different because they reflect the wants of the Artist. I DID search by the way!
So, do you have any? Do you like it/them? Why? Would you never buy one? Why?
Interestingly, I don’t have any Signature basses but quite a few of my acoustic and electric guitars are signature models. Why did I gravitate towards them? Well, it ISN’T what many naysayers think about Signature instruments. I am not a Fanboy, nor am I trying to cop someone else’s tone and style. Just the opposite…I like instruments that are unique and stimulate my creativity because they are different.
Examples: my first Signature was purchased because it was the opposite of most Signature instruments. It was NOT really expensive. Just the opposite. It was a Jewel Kirchner “JKSM” Taylor guitar. I knew nothing of her when I stumbled on it when it was new. It played even better than most Taylors. It has a voice that is so sweet. It is a “green” instrument (Jewel wanted sustainability to be the focus). It is simply appointed. But many people gravitate towards it much more than my Martin or other guitars. It even has a sweet smell unlike any other guitar due to its Satinwood. It was $1300. I see one on Reverb for $2000. Anyway, it was the start. My other Signatures are very different and were chosen for different reasons.
So what say you TalkBass members? Let’s try to emphasize basses, but I think it is cool to discuss whatever Signature instruments come to mind.
I've had a few over the years. Then a bunch of customs. I've settled on a Rickenbacker 4003 and 4005XC. Ultimately, it's incumbent on you to develop your own chops, learn the craft to suit your own aesthetic, and develop your own style. If it's on somebody else's signature instrument, so what?There are mentions of Signature basses (such as the Chris Squire Rickenbacker) all over the “Basses” threads and in some other areas, but have we ever discussed them as a whole? Yes, I know, it is difficult to generalize about them because by nature they are all different because they reflect the wants of the Artist. I DID search by the way!
So, do you have any? Do you like it/them? Why? Would you never buy one? Why?
Interestingly, I don’t have any Signature basses but quite a few of my acoustic and electric guitars are signature models. Why did I gravitate towards them? Well, it ISN’T what many naysayers think about Signature instruments. I am not a Fanboy, nor am I trying to cop someone else’s tone and style. Just the opposite…I like instruments that are unique and stimulate my creativity because they are different.
Examples: my first Signature was purchased because it was the opposite of most Signature instruments. It was NOT really expensive. Just the opposite. It was a Jewel Kirchner “JKSM” Taylor guitar. I knew nothing of her when I stumbled on it when it was new. It played even better than most Taylors. It has a voice that is so sweet. It is a “green” instrument (Jewel wanted sustainability to be the focus). It is simply appointed. But many people gravitate towards it much more than my Martin or other guitars. It even has a sweet smell unlike any other guitar due to its Satinwood. It was $1300. I see one on Reverb for $2000. Anyway, it was the start. My other Signatures are very different and were chosen for different reasons.
So what say you TalkBass members? Let’s try to emphasize basses, but I think it is cool to discuss whatever Signature instruments come to mind.
Agreed.If Ibanez ever makes a Gary Willis 4 string, I'll be first in line.