I recently accidentally bought an EBS Session 60 and for the price I paid it is a lot of amp for quiet playing.
"accidentally"?
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I recently accidentally bought an EBS Session 60 and for the price I paid it is a lot of amp for quiet playing.
That is what I said at home and I am sticking with it."accidentally"?
No offense to Fender lovers but the Rumble is the Volkswagon and the Ampeg the Mercedes.Man, that Fender Rumble 40 looks like a lot of amp for $200. Now, would something like the Ampeg PF-50T be a whole other league of tone....or are they more comparable than their price tags allude to?
Man, that Fender Rumble 40 looks like a lot of amp for $200. Now, would something like the Ampeg PF-50T be a whole other league of tone....or are they more comparable than their price tags allude to?
"B-15"...Are you talking about the 30w Tube amp?
Will never trade my GTI for a MercedesNo offense to Fender lovers but the Rumble is the Volkswagon and the Ampeg the Mercedes.![]()
I brought my old Hughes and Kettner Blues Master which is a 1 watt tube amp with a built in speaker emulator, but it does have a speaker jack as well. No problem in getting grind from subtle to obnoxious. I plugged that into a Bergantino 1-12. Works great with the emulator, too.
Hi, I'm a guitarist/writer and I've been playing bass a bit lately. The DI thing is ok...but it's missing something. I need a practice amp anyway...so, is it possible for me to get a KILLER "recorded" bass tone with a small amp? I'm not interested in any sonic compromise. However, I do record in the wee hours....and bass carriesIf I could get a really good tone from a small mic'd amp, that would be great. If not, so be it
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The DI with a built-in preamp is a good choice. I carry an Eden WTDI with me wherever I go because it's comparatively inexpensive ($149) and I can plug it into any backline amp's effects return and get the same sound (presuming it has decent speakers) that I get out of my Eden gear with it. Kind of funny to hear a GK rig or an Ampeg rig, which both have pretty distinct voicing, produce an Eden sound because of my little WTDI stompbox.Many engineers would say that you need a decent DI and bass long before you need an amp.
The vast majority of pop music bass tracks were either recorded with a DI only, or a DI and some amp mix.
As far as practice & good, Fender Rumble 100 would be my suggestion
Now, if you've got some money to throw at an amp that will more than just practice, gice us a budget.
Fender Rumble 200 1x15 combo. Big; Fat, Warm, and Full. Has volume knob. Jam & Gig Worthy. Records very well.So, I still need something for practicing...but I don't want to be underwhelmed. Big, fat and warm...not necessarily loud...just full.