NICE collection! So how are you diggin' that Sadowsky? How often do you play that one? Which one is your "go to", or otherwise, the one that's speaking to you most right now?I have five...
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NICE collection! So how are you diggin' that Sadowsky? How often do you play that one? Which one is your "go to", or otherwise, the one that's speaking to you most right now?I have five...
On one hand, I want to have tons of basses to play with, look at, and choose from. But also want that "the one" bass, that just fits me, is comfortable, and i can do anything with.
I am a "little lady" bass player. I try to think of my manybasses as my "hobby". My co-workers spend tons of money on golf clubs, others on expensive photographic equipment, and others have quite the collection of cars & trucks.

NICE collection! So how are you diggin' that Sadowsky? How often do you play that one? Which one is your "go to", or otherwise, the one that's speaking to you most right now?
I like to have basses in different tunings for different bands. And of course if you have one you have to have a spare, right? oh yeah some have frets some don't and you got to have an acoustic bass, right?I mean, how do you justify keeping a stable of basses ? I seem to always find one that stands above or just fits the bill play IT. That means others go unplayed and eventually get sold.
Right now, my Nordy vj5 is killin' and the go to bass. I have thinned the herd . I thought about 6 ( even bought on ) to have a different flavor or something completely part from the J bass thing , such as MTD, etc.. but I get used to the feel of a bass and keep going back to it and like I said, I see no reason to go to anything other than the Nordy.
So should i go for another Nordy, or try something completely different?
For me it's about being sonically "covered", for sessions, and for my own tracks to support whatever sound I have in my head. Granted, there's serious holes in my quiver, for example no fretless, but to me it's about having some tonal range, that only having different axes can deliver. And a huge part of it, IMHO is dependent on roundwound vs. flatwound. I've certainly tried over and over to find the one "do it all" bass, but it just doesn't exist. If one's do it all 5 or 6 string can cop a pretty good P or J, or whatever, still . . . lets say the tune calls for flatwounds and your bass has rounds? This is how I've made my choices. I keep a roundwound fiver, a roundwound P, a flatwound P, a roundwound J-style, a flatwound Dano, passive, active, etc. etc. Man, if one bass could do it all, I'd be really happy . . . . but I think you can cover all the bas(s)es pretty well with 5-6 axes ultimately, and they don't all have to be high-end instruments by any stretch.
