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Double Bass Songs for beginning transcription

I want to start getting into transcription pretty heavily, but I was wondering if ye old codgers could suggest something to start off with that's a bit more "easy" to hear, transcribe, and play for a beginning jazz bassist (BG of 3.5 years) and someone very new to transcription.

I've got a couple ideas as far as things go -- transcribing some walking stuff over things that are relatively simple harmonically with a good mix. Started that with the Diana Krall version of Autumn Leaves while practicing for my gig on Wednesday -- just started picking up random bits while playing along to the recording. Also picked up the first bits of the guitar solo, only a couple octaves lower (Anthony Wilson, you are officially a genius. That is, if it was him, but it totally smacks of his playing.)

Other things I've picked up, as a frame of reference:
Repeating bass figure to "A Night In Tunisia," and the one in "Fever."

Any more songs with repeating basslines like that?

Also, any advice on transcribing bop bass playing? I'm lookin' to start a bop quartet, but the alto sax and the guitarist in question would end up kickin' my ass three ways from Sunday at every rehearsal anyway, I just want to come a bit more prepared. Jazz at Massey Hall's been spinning in my CD player ever since I got it and I'd love to tear right into Charlie's lines, but at the moment, I think that's just a *tad* advanced. As a side note, I found transcriptions of solos by Bud Powell and Charlie Parker in the Phil Woods issue of JazzImprov. Neat!

Any particularly easy heads? Maybe some bop heads that would lay out well on DB? I recall noting in another thread that trumpet solos lay out nicely.

PS: This seemed like a fairly obvious discussion so I did do a search, but couldn't find anything relavent at all.

PPS: I am well aware of the fact I'm making a LOT of threads -- sorry, I'm just really...uh, let's say precocious.

PPS: Take the age comments in my thread lightly, because that's how I mean 'em (or rather, how little meaning is in them.) I have the greatest respect and appreciation for you guys and the advice you give. If it weren't for y'all, I wouldn't have had that gig on Wednesday, or the coming one next weekend.
 
Yeah... Monk "Heads" are good to play on bass - like also : "Hackensack" and "In Walked Bud" ...:)

Freddie Hubbard's "Gibraltar" has got a nice, but simple repeating bass line - for the majority of the tune with a few bars walking.

'Fever' was mentioned - that's another one where you can play the head on bass - I've done that in an arrangment, although I'm not sure I could remember it all now!! ;) It's mostly a little repeating pattern that moves through a kind of Bluesy progression...?
 
Transcribing is like anything else, you have to start slow to build a solid foundation. Instead of trying hard heads or pulling harder to hear background parts out of a tune that's flying by start
Slow
Simple
Easy to Hear

The first thing I transcribed was the opening bass choruses on BLUE SEVEN. Working with Joe I started with Lester Young. Get a half time recorder or software and slow it down so you can hear it. Listen a LOT, so that you can sing and hear the notes you are singing. I've talked about the "Tristano" method of transcription a lot here, do some searches.
 
Check out the Grant Green Album "Standards". Trio recording with Wilber Ware on bass and as the name suggests, they recorded songs that you will end up needing to play again and again.

Wilber Wares solos, while not the most interesting are amazingly simple. Whenever someone says "you should put more space in your solos", I think of this record. Ware really plays sparsely.

Just a suggestion.

Troy