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This is a little different approach. My stepson sent this to me:
BBB
I guess I count all the percussive right thumbing without fretting specific pitches a sort of ghost note thing. Maybe not.I didn’t see any ghost notes in there.
The basic trick to make the ghost note sound good is to play the muted tone louder than the sounding notes, to achieve a consistent dynamic. To do that, your finger needs time enough to perform a good pluck. It's hard to do on those 16th funky lines, usually the ghost note is just before the beat, and several finger actions need to be performed at the same time. You need to plan your plucking 'fingering'.
Often, if you feel you can't do it right, the help is to clean your plucking technique, and the ghost notes will get better as well. I would recommend Ed Friedland's Hal Leonard Bass Method, even for experienced player. It is surprising how rewarding it is to reconsider your technique piece by piece from the very start.
I came here to post this. A lot of ToP and Rocco Prestia will highlight this type of bass playing.What Is Hip by Tower of Power is sort of a made to order example of what you seek.