Chime in please.
I read a blog post by the recording engineer that worked on this. He said the bass was, I think, a semi hollow bass running through an OC-2.
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Chime in please.
I'm not completely confident but I think I hear an octave in the "Let's Dance" bass part. I always use a little when I cover it.
Michael Jackson told bassist Guy Pratt he wanted the bass tone from Madonna's Like A Prayer (which he also played bass on).
Guy obliged, but this song is in a lower key that made the octave seriously struggle with tracking. So if you listen for it, you can actually hear the lower octave glitch out all over the place in the choruses, but it still somehow works.
I always thought that little break out section in Big Time was a Chapman Stick.about the 40 second mark.
That's not a Chapman stick, that's the drummer, Jerry Marotta, playing on Tony Levin's strings with drumsticks, which lead him to develop the "Funk Fingers" (sticks strapped to his fingers). The credits read: "Jerry Marotta, Tony Levin - drumstick bass". Link RemovedYou are correct about the Chapman stick on Big Time. I was talking about Sledgehammer.
That's not a Chapman stick, that's the drummer, Jerry Marotta, playing on Tony Levin's strings with drumsticks, which lead him to develop the "Funk Fingers" (sticks strapped to his fingers). The credits read: "Jerry Marotta, Tony Levin - drumstick bass". Link Removed
It's been doubled with a synth.
I just listened through this in the background and there was lots of parts with octave down but I couldn't tell you which parts exactly. Guess you'll just have to listen to it all but it's so worth it:
For sure. I think I also hear two octaves in the bass itself.It's been doubled with a synth.