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Liam Wald said:You can keep a solid bass line going by covering the 1/4 notes. I am not constantly soloing. In fact I seldom solo at all. I am a solid R&B groove player, but I play a lot of fills and 64th note arpeggios that end up at the top. I like being able to go all the way to the second octave on one string.
... I play a lot of fills and 64th note arpeggios that end up at the top. ....
....no, you cannot play a P-bass without the Pickguard. The pickups and electronics all sit in one exposed rout.
....no, you cannot play a P-bass without the Pickguard. The pickups and electronics all sit in one exposed rout.
Bend it till you get that 2nd octave!![]()

Bend it till you get that 2nd octave!![]()
It's not just the pickups and the placement, it's the shape of the guitar and the neck and the wood used. I don't think you could just throw a P-Bass pickup on ANY bass, in the proper position, and get the P-bass sound. It's a whole system.That's why, if you are a sensitive player with good ears, you should hear and feel a little difference between the real Fender P's and the Squires, which are a slightly different design. They don't feel the same to me ...... I try them out without an amp to get the real feel of the instrument and the vibe of it. You need a quiet room for this.
As somebody in the recording industry said, "A precision bass sits in the mix like a cold beer in a glass." Nothing else records like it ....
Turtle

Thanks for all the quick replies...We do a bunch of drums+bass moments, and lots of "Open-E-Heavy-as-Hell" moments where having that high E (only available at the 21st fret - I do some harmonic work, but it's an entirely different sound) is a must
I was thinking about a P/J configuration too, since I like the sound of the Jazz Neck, but unfortunately the only ones from Ibanez that come to mind are Gios. ......:/
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