Commentary:
There was a lot of talk at one time that arose from the question: "Why would any professional musician play a Legend or a Performer when they could afford a Euro or US Spector?"
Most folks mentioned that even the "lower-end" Spectors have a great sound and feel, and it is much less heartburn if it gets banged around on the road, playing shows, etc.
I totally see what they were talking about now. Being onstage with a US Spector, I was very aware of my surroundings. The stage was tiny, and I had to be extremely careful of where I moved or turned: our drummer's main crash cymbal was right behind my right elbow, there were mic stands on either side in front of me, and our lead guitarist was two feet to my left. He is a big boy and he plays Gibson Explorers (huge guitars). There were 800 opportunities for me to bang my headstock into something or someone.
Of course, pros usually play on bigger stages, but between transport and running around onstage, I definitely see why they don't sport a new $5000 bass at every show.
That and the fact that 99.9% of professional musicians can barely afford a $5000 car.
When you see a pro with a nice bass, it was usually given to them.
But each gig I do the paranoia fades a bit; though not the situational awareness. 


