Awesome. I would love that but cant be spending carelessly lol
But it's a Spector! An Ibanez would be spending carelessly
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Awesome. I would love that but cant be spending carelessly lol
Yep! One of the many reasons why their original bassist, Mike Todd, used Spector's exclusively
Jimmy's other son is Joey, who fronts another killer band by the name of '3' and is a MONSTER guitarist, the playing starts around 40 seconds in: https://www.youtube.com/watch?v=fZ8GiLUHWoY
Oh... and their bass player also uses Spectors exclusively![]()
And now for something completely different...
Mobile Deathcamp, featuring Beefcake the Almighty from GWAR on guitar/vocals. Bass player sporting a Kramer NS-2:
View attachment 396828View attachment 396829
That's Brooklyn NS-2, see dot inlays and badass bridge.
The tone control (push/pull passive/active) can be set anywhere in its range. This tone control also affects the tone while the bass is active. Very versatile.

Thanks for all the help with the price range on ghost bass. It seems a bit high, but this is Norway. Everything here is more expensive, but I'll pass on it. Wait for another to pop up, hopefully cheaper. Would really love to learn fretless. I got my new violin today, so that's been a fun day. Playing simple kids songs to begin with.![]()
Yep! One of the many reasons why their original bassist, Mike Todd, used Spector's exclusively
Jimmy's other son is Joey, who fronts another killer band by the name of '3' and is a MONSTER guitarist, the playing starts around 40 seconds in: https://www.youtube.com/watch?v=fZ8GiLUHWoY
Oh... and their bass player also uses Spectors exclusively![]()
Very cool, I was thinking at first the push/pull active/passive was just an on/off and individual tone for the passive mode and the bass and treble buttons are for the active part of the system....I hope Jeff is listening and collecting data! lol
Visually the polar opposite of my UV NS2 but with it's own voice. 
Jeff...I haven't heard from you about your Legend 4 fretless? How's it going?
I can understand, I've never really played one before. Unique????Those three beautiful words...
New Spector Day.
Out For Delivery.
Something really unique, too!![]()
Heh heh... I am. Unfortunately I know of no one who is pairing the Super Singles with the 9v Haz. Kinda more like an NS-2JJ with an Aggie (more mids) flavoring is what I'm expecting.
I'm looking forward to the "Stealth Spector" look too.Visually the polar opposite of my UV NS2 but with it's own voice.
It's gonna be hard to get me to put down that NS2. LOL
Very slow Michael. Life's been very busy so I haven't had as much time as I'd like to woodshed, and at rehearsal the guys say "Great, that's cool. Let's get back to our material."I can understand, I've never really played one before.
I'm messing around with "Hey You" and "Black Velvet" but really need to work on my technique. I'm also still using the round wound strings that came on it. I ordered a set of D'Addario Half Rounds for it. I think they'll sound better and be easier on that new neck. I think they'll be here today.
Here is the only pic of it that I have on here. I'll have to take a better one later.
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What do most of you use as a truss rod tool? The factory issued one?
Also, the NS 4H2 has a Pau Ferro fretboard. Are these unfinished? it seems so. if so, an occasional coating of lemon Oil will be all she needs? The NS2 has a BEM board. This one looks finished. Am I right? If it is a lite coat of wax at string changes is the accepted maintenance here?
I too went thru a few Fenders, 58 P reissue, Geddy Lee Jazz, Matt Freeman P, 90's P, while waiting for my Coda to be built. The 58 P reissue tonal was really good but not as good as the Matt Freeman P which adds some modern tone to its sound. If I played 4's any more I would've kept it. Best Fender I'd played. I bought off eBay $350. But none of them even compare to my Big Blue.You guys are reading my thoughts...A couple of days ago I started to look over the fence to Fender camp looking for a good passive tone.
That's because one of those days I've played a set on my NS-2 which included all sort of geanres starting from Jonny BGood and ended up with Highway to Hell of AC'DC. I liked my tone but in some songs there was nothing left of a song but my Spector tone)) In other words NS-2 is very recognizable.
I've tried original 1978 Jazz bass which turned to be a piece of old junk, than Fender American Vintage RI jazz which I liked as a value for money (these are really decent Jazz basses for about $1000 used), and finally to wrap up my search I borrowed my friends beautiful Fender Precision dated 1964 (!!!) all original in a collectioner piece condition. It is a good light weight bass, nice old-school thump but still...it is nothing like my NS-2 when you put your hand on it. Spectors really feel built like tank and I can not say the same about any Fender I've ever taken into my hands. My friend payed for this 1964 P-bass $3500...what can I say? Yes it is a cool real vintage bass which would fit any studio recording for some rock and pop. I swear it would built a good fat low end background for most geanres when recorded in studio...but it has a neck dive issue!!!! yes, you must support the neck with your left hand not to drop it on the floor. And when I hold it I don't have this feel of SOLID instrument as I have with my NS-2 and previously owned Euro 435LX.
At first I associated that difference with feel of neck-through vs bolt-on but then I reminded my previously owned bolt-on Brooklyn NS-2J-A which actually felt the same solid as my neckthrough and understood it's not the case So...after many trials...I stay with my NS-2.


Very cool trivia fact! Jimmy does indeed do the setup and finish work in the Woodstock shop! His work is second to none!!!
According to Todd, I have one on his rack ready for final assembly!*anticipation overload*
![]()

Those three beautiful words...
New Spector Day.
Out For Delivery.
Something really unique, too!![]()
I run all my basses full boost both pickups and only ever roll off the treb a bit as needed. There's a few things going on. You get the tone of the pre, the hotter signal level, and the eq boost as well. Running through a DI you won't sound weak or thin, and you have a good hot signal to the board. Honestly though it's for the tone of the pre for me. They don't do much unless you open them up and then eq your amp for the signal. You can also drive your amp as much or as little as you want with the tone pump, 18v also gives the pre and pups the headroom to handle what ever you throw at it, no distorting , dropping out or farting out. Just pure, clean powerful bass. Just my. .02


Thank you Grendle!Here is the only pic of it that I have on here. I'll have to take a better one later.
![]()
HEY NOW! I represent that remarkBut it's a Spector! An Ibanez would be spending carelessly![]()


