No problem, be warned, it is heavy metal, you must play it loud!Nice! I'd like to hear those tracks when they're released. I'm always on the hunt for new music.
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No problem, be warned, it is heavy metal, you must play it loud!Nice! I'd like to hear those tracks when they're released. I'm always on the hunt for new music.
Mine is the NS4 fretless and what I like about it is the ebony neck using the flats and running the 18V haz with EMG DC pickups, its a tone that I like a lot.I have a mid-long term plan to get a Spector 4 string fretless at some point. Leaning toward ordering a CTB in 34" scale with a DW neck (not sure yet what neck pickup -- posted a thread about that a while ago but no responses so far).
Beyond the CTB or SpectorCore models, what are folks' favorite Spector models/configurations done fretless (and what you like about them -- besides being a Spector!)?
Nice; and absolutely beautiful - thanks! I was wondering about an NS4 in particular.Mine is the NS4 fretless and what I like about it is the ebony neck using the flats and running the 18V haz with EMG DC pickups, its a tone that I like a lot.
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interesting idea... i thought of doing that w/ a battery powered DI pedal or maybe the phantom power would work as well... thx! sSo is the amp making the nasty sound on stage or is it only when you connect the DI to the board? The board is naturally running on a separate circuit than the amplification that's on stage...plus if your running active pickups the bass would be isolated. Sometimes the amp will have a polarity switch that can be checked in hopes that it will assist the condition....but....you need to suggest that they do isolate the stage. What I use is a Sansamp DI pedal and I don't plug it into any power that's on stage and I request that the mixing console sends me phantom power which insures we are connected together under the same ground.
I say its time to build one, that's for sure!A few spalted maple logs that me & my wife milled on our sawmill today. Here's a few examples. What ya think...can you see some new Spector basses made from these?
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Funny, my son plays the flute as well. At NAMM last year, I went and talked to a guy in one of the booths about flutes, next step to get him, etc. Add that to the list of things you never expect to do!!!

No problem, be warned, it is heavy metal, you must play it loud!
The 9V will eliminate the need for power that has been contaminated by the lights you mentioned and/or the differences between the board circuit and the amp circuit...so, try the 9V pedal with a DI and review its literature to see if it is capable of running in a phantom power mode and if it is keep the 9V installed as it prevents popping when the pedal is turned on/off, etc. then see if your sound guy knows how to place the board into phantom...what this is: when you plug the cord into the DI it sends your signal to the board but the board will send power back along the same cord...so, its a loop which prevents these distortions.interesting idea... i thought of doing that w/ a battery powered DI pedal or maybe the phantom power would work as well... thx! s
Patients grasshopper...it'll be next year before the wood will be dry enough to use, most likely. One year per inch and these are 1" thick. I'm air drying them in one of my barns for maximum quality.I say its time to build one, that's for sure!
Don't they measure the wood before fabrication for the moisture content?Patients grasshopper...it'll be next year before the wood will be dry enough to use, most likely. One year per inch and these are 1" thick. I'm air drying them in one of my barns for maximum quality.
Most likely and I also have a moisture meter to check. As long as the moisture in the wood is the same as the workshops moisture you're good to go. I have many more spalted maple logs yet to mill tomorrow that show much more promising spectacular patterns. I'm thinking of contacting PJ and some other instrument manufacturers to see if they'd be interested in buying some of my spalted maple.Don't they measure the wood before fabrication for the moisture content?
Hum, you just might have what they are interested in!Most likely and I also have a moisture meter to check. As long as the moisture in the wood is the same as the workshops moisture you're good to go. I have many more spalted maple logs yet to mill tomorrow that show much more promising spectacular patterns. I'm thinking of contacting PJ and some other instrument manufacturers to see if they'd be interested in buying some of my spalted maple.
Make sure you put Mica Wickersham at Alembic Bass on your list. They seem like they will source materials from almost anywhere.Most likely and I also have a moisture meter to check. As long as the moisture in the wood is the same as the workshops moisture you're good to go. I have many more spalted maple logs yet to mill tomorrow that show much more promising spectacular patterns. I'm thinking of contacting PJ and some other instrument manufacturers to see if they'd be interested in buying some of my spalted maple.
A few spalted maple logs that me & my wife milled on our sawmill today. Here's a few examples. What ya think...can you see some new Spector basses made from these?
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PM sent on the 40P5.View attachment 3200508 View attachment 3200509 View attachment 3200510 Happy First Friday Spector owners! I have one old and one new today. An old photo of my Kramer era NS-2A, and one that was on Reverb for a while, my 1999 NS5-CRFM. This is one smokin' 5 string. While the Aguilar OBP-1 that's in it sounds great, I will be installing in her next week a new SNC 2 band HAZ Clone to compliment her all maple goodness. I'm still on the hunt for a used EMG 40P5 to throw in the neck position, if anyone's looking to part with one.