Did this. You have a hair on your bass.
Yeah, I noticed that, too. Under the G string behind the pup. Sign of a good photo!
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Did this. You have a hair on your bass.
Thanks! Yep, that's the VB, no relic version. The dot&bound neck was made for me by Dan Ransom/SF and finished by Pat Wilkins. The body is a Fender MIM 60's vintage w/Fender Super 55 split-coil J's, Santellan Sounds Elek-Trix passive harness and LaBella flats.
Beautiful Jazz, Jio! Love the painted h/s...![]()
MJ
Are those Hipshots or actual vintage paddle tuners?Thanks! Yep, that's the VB, no relic version. The dot&bound neck was made for me by Dan Ransom/SF and finished by Pat Wilkins. The body is a Fender MIM 60's vintage w/Fender Super 55 split-coil J's, Santellan Sounds Elek-Trix passive harness and LaBella flats.
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This Ray looks great with that tort! I'd love one of these for my stingray to break up the black/black pg/maple fretboard monotony, but again I'd have a better chance convicting the misses that I need a pair of Audio Technica ATH-M50x headphones for practicing before I could convince her that I need a 160 dollar pickguard!I'm quite the fan myself.....
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This Ray looks great with that tort! I'd love one of these for my stingray to break up the black/black pg/maple fretboard monotony, but again I'd have a better chance convicting the misses that I need a pair of Audio Technica ATH-M50x headphones for practicing before I could convince her that I need a 160 dollar pickguard!
There's always birthdaysWe all have our lines to toe!![]()
How did you get the paddles? Those look like they could pop into any 70s spec'ed tuner plate. Might even work in my Wilkinsons.Converted 70's RI tuners, similar to what Madison sells.
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How did you get the paddles? Those look like they could pop into any 70s spec'ed tuner plate. Might even work in my Wilkinsons.
Is there any place out there where you can get these tuner posts from? Sorry for the drift, but I always loved paddle tuners.
Hey, when your OCD about tort like I am and search for early 70's or 60's Fender tort that hasn't shrunk and doesn't cost 2 x 3 times that, it's worth the cost. Not for everyone, that's for sure. But $160-190 for high quality tort for a $1500+ instrument is like buying a $60 Fender RI guard for a $800 roadworn.
Hey, when your OCD about tort like I am and search for early 70's or 60's Fender tort that hasn't shrunk and doesn't cost 2 x 3 times that, it's worth the cost. Not for everyone, that's for sure. But $160-190 for high quality tort for a $1500+ instrument is like buying a $60 Fender RI guard for a $800 roadworn.


I'm in Canada so when you convert that $160 to CAD.... well just nevermind.... For those that don't get the expense, possibly be glad that Spitfire tort isn't the only tort that fills that tort void.... But for some of us that probably have some sort of disorder where the only thing that truly makes us happy is that vintage cloud like puffs of red and yellows, Spitfire tort is the only game in town... Chandler was too brown, WD had the horrible printed stuff and some that was closer than anything else but not quite there... Pickguardian was the same... Then my search landed me on the offset guitars forum where this Spitfire guy had make something like two pickguards and they were what I was looking for but it wasn't like he was a commercial entity, he was a guy experimenting in his garage or something... but then he mastered it and started selling it! So that's why I spent $160 on a stingray pickguard.... It was something totally unattainable that suddenly became obtainable.... For $160 bucks...
It has to be said... The 1966 Jazz Bass IMHO is the nicest looking Jazz bass. Would love either this Olympic White, or Macca's Sunburst with tortie, in lefty, of course.Thanks! Yep, that's the VB, no relic version. The dot&bound neck was made for me by Dan Ransom/SF and finished by Pat Wilkins. The body is a Fender MIM 60's vintage w/Fender Super 55 split-coil J's, Santellan Sounds Elek-Trix passive harness and LaBella flats.
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