I've played two of the 60s CVs in two different stores, and all things do not seem to be created equal.
The first one was just ok, tone wise and the set up was decent, but I wasn't blown away by it. This may be due to my string preference though more than anything. That and I played it through an un-memorable amp.
The 2nd one sounded better, but suffered from an absolutely horrible set up - high action, too much relief, nearly unplayable off the rack despite the hand written inspection specs on the tag. I know all of this can be corrected, but its nice when a shop keeps its instruments more playable than this off the rack. They'd sell more that way, I'm convinced. This time, I auditioned through a Mesa Walkabout Scout, and was impressed with that, but that's for another post.
This example also exhibited some finish issues that may or may not be common, so I'm hoping others of you can comment-
The first finish issue is the glue on the sides of the nut, or perhaps it is the gloss finish on the neck itself- not sure. I've never seen this type of overlap on any other bass so I'm wondering if this represents a feature or a flaw. I see it in the pictures at the beginning of this thread though, so it may be a 60s feature I'm not aware of. (Don't see this on my Stingray, my Lakland or my MIM Jazz.)
The 2nd fit and finish issue is the sharp fret ends. Now this, I've seen before, most notably on my Lakland Skyline 5501. I have read that this is a function of changes in humidity. Is a fret dressing the recommended fix? I've yet to repair it on my Lakland after many years, but was not encouraged to see it on the Squier as well.
Too bad on the new color thing- I was thinking that red one looked pretty nice in the pictures.
I look forward to commentary.