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Stage 81: S/D thread

I had to Google who Wesley Willis is/was. Dude looks like he was all kindsa cray...in a fantastic way. I now second askrere's motion :p

Yeah, shipping costs and seller reluctance are the main reasons I can't get hold of a lot of gear. It doesn't help that the things I'm particularly interested in aren't as freely available here either, Fuzzrocious goods in particular. I'm still mad keen on that RK Sam's offloading...maybe I can go halves with the missus and work something out that way.

I love Wesley Willis. He's riding the big bus in the sky to rock n roll McDonald's now. RIP Wesley.

Rock over London, rock on Chicago, Pontiac, we drive excitement.
 
I know where you're coming from, mate. My current band, while not stoner, shares a similar mentality. We write what some might see as "simple" music - which I'm not denying. Basic chord progressions, riffs off the pentatonic scale, vocals are less than brilliant. Basically, we have low expectations and just play for the hell of it...but we have a lot of fun. At present, we've pumped out about 3 albums worth of songs with more ideas on the table but we're only going to realistically use 1/3 of those songs for proper EPs or albums later on.

Having lower expectations just helps us be a little more free with what we write and how we perform. A lot of people, I'm sure, will just call us lazy but at the end of the day I'd be lying if I said I wasn't having fun.

Yeah, I see both sides of it. I like to write solo material and put a lot of thought into it. Tweak every little part, layer things, really work on the tones and the performances until they're just right. In those cases, I usually get about a song done every 6 months to a year, for real. It's the reason why none of the bands I've drafted in concept in my head every come to fruition. Then I will sort of fall into doing a band on a lark and get a lot done and have a ton of chemistry with it. The bands I do where we write and record the whole demo over a weekend tend to get more done than ones that have a lot of planning and thought put into them. Less talking about, more doing. I hope I can get better at doing that by myself, I need to work on it. Then maybe I can find a balance between putting some more intricacies and subtlety into the music and getting more done.


Bahahahaha!!! Oh man, i needed that
Laugh!

I was a skinny teenaged doom fan in the nineties, i remember what it was like back then. I seriously considered buying one of the CM demo tapes from the classifieds in Metal Maniacs.

I got a job at an indie record store when i was 16, the interview was:

"What kind of music do you like?"

"I like doom, you know like Trouble, Sleep, The Obsessed, Saint Vitus. Also thrash, death metal, grunge, old punk and hardcore, some classic rock and a little blues."

"Well you can have the job."

I was just so stoked that someone else had heard of those bands. I think those guys were pretty surprised as well. They told me to check out FuManchu and Kyuss, and it was all over from there.

I digress, but yeah it was a different time. I miss checking thank you lists in cds to discover new bands, then digging through bins at the used cd place over and over until you found something good.

"I don't know who this band is but they're on Hellhound so it must be good."

Good times...


I can really identify with that. In the late 90s I was discovering most of the underground music I love now, thanks to a mixture of independent record stores and internet message boards. I've had a lot of personal connections with music through punk and hardcore, because there was more of a semi-local music scene to interact with. I never even knew CM were local to me until I talked to a local record store owner who knew them, because I made him a bunch of band pins when I used to do that as a side business. I had their CD before that. I didn't actually connect with them until 2010 and at that point they all pretty said "Where have you been the last 10 years?! You're a good musician and actually know a lot of about doom metal!". I told them I had been trying to start a doom metal band since 2000 or so, but no one ever knew what the music was and I could never find enough people to make a band (tried to swindle or coerce plenty into it!), there was just no infrastructure to connect through locally. The town they played in is also only 40 minutes away, but somehow completely culturally segregated from my town for music. Bands from there don't want to play here and vice versa (or LET bands from here play, in the past at least, kinda snooty). I might have run into them on Hellride or something, but I would never post because there were so many people arguing about what TRUE DOOM METAL was...and I was pretty new to it, so I laid low and posted on doom-metal.com and stonerrock.com.
 
Yeah, I see both sides of it. I like to write solo material and put a lot of thought into it. Tweak every little part, layer things, really work on the tones and the performances until they're just right. In those cases, I usually get about a song done every 6 months to a year, for real. It's the reason why none of the bands I've drafted in concept in my head every come to fruition. Then I will sort of fall into doing a band on a lark and get a lot done and have a ton of chemistry with it. The bands I do where we write and record the whole demo over a weekend tend to get more done than ones that have a lot of planning and thought put into them. Less talking about, more doing. I hope I can get better at doing that by myself, I need to work on it. Then maybe I can find a balance between putting some more intricacies and subtlety into the music and getting more done.





I can really identify with that. In the late 90s I was discovering most of the underground music I love now, thanks to a mixture of independent record stores and internet message boards. I've had a lot of personal connections with music through punk and hardcore, because there was more of a semi-local music scene to interact with. I never even knew CM were local to me until I talked to a local record store owner who knew them, because I made him a bunch of band pins when I used to do that as a side business. I had their CD before that. I didn't actually connect with them until 2010 and at that point they all pretty said "Where have you been the last 10 years?! You're a good musician and actually know a lot of about doom metal!". I told them I had been trying to start a doom metal band since 2000 or so, but no one ever knew what the music was and I could never find enough people to make a band (tried to swindle or coerce plenty into it!), there was just no infrastructure to connect through locally. The town they played in is also only 40 minutes away, but somehow completely culturally segregated from my town for music. Bands from there don't want to play here and vice versa (or LET bands from here play, in the past at least, kinda snooty). I might have run into them on Hellride or something, but I wHIould never post because there were so many people arguing about what TRUE DOOM METAL was...and I was pretty new to it, so I laid low and posted on doom-metal.com and stonerrock.com.

Yeah, hellride seemed a little too snooty to me. I didn't post on stonerrock.com until i went to shod 4 and met a bunch of the regulars.

It was a really cool forum for awhile, but fell into clique-ishness and general ass-hattery in the last few years.

When i moved to New Mexico in 2001 i asked every new person i met if they liked queens of the stone age. I got a lot of blank looks until one guy said "yeah of course, kyuss too". I had met my people, they were really good friends and band mates to me. It was such a rare and important common thread that drew people together. Not quite the same these days.
 
Mount it up on the rig stack and headbutt the switch like Wesley Willis.

Thanks for that. I had forgotten about WW, but it's always good to remember that he existed for a time on this ball in space...

Got a call today with a job offer for the meter reading thing.
Was annoyed they hadn't called yet, but its all good now.
Kinda stoked.

Congrats- i hope this works out well for you.

Grooving to some Electric Moon tonight:

 
If you can deal with the weight, T-40's are awesome. Love mine. Been playing this one latelyView attachment 377053. Drake custom 35" scale

Not even sorta Doom related, but Friday I'm playing a gig with Bobby Bare. He's in the country music hall of fame, been winning Grammys since the 60's, etc. had rehearsal at his sons house yesterday. Saw an old Jazz bass sitting in the corner. The story goes, Bobby Sr. Told Waylon Jennings his kid was thinking of learning to play bass, so Waylon goes to the Kinkos where Bobby Jr was working and hands him this bass in a flight case. This happened in the early 90's. I checked the serial number and it appears to be a 1965 Jazz that Waylon bought brand newView attachment 377056

Double Jealous!!!
Waylon!!!
 
Got a call today with a job offer for the meter reading thing.
Was annoyed they hadn't called yet, but its all good now.
Kinda stoked.

Awesome! I put in for a meter reader job in Florida or Kentucky, one of those states they start to blend together(memories...). Probably would still be there now, I think it would of been much more migraine friendly then GIS and database work, argh! From my weekly GPS field collection work, I suggest keeping dog biscuits on hand!
 
Hey Gents. Wow, You fellas got this thread moving on. Been uber busy in My off work time, getting the house all ready for the visiting family tomorrow (gonna be 20+ too many people here).

Anyhow, got a few minutes to work on some fun stuff. Got the Terror Bass headcase MarkII most of the way done. Hopefully, I'll get the tolex and piping on it this weekend.

Jerimysbassstuff8-26-12001_zps0dc4fc96.jpg
 
Hey Gents. Wow, You fellas got this thread moving on. Been uber busy in My off work time, getting the house all ready for the visiting family tomorrow (gonna be 20+ too many people here).

Anyhow, got a few minutes to work on some fun stuff. Got the Terror Bass headcase MarkII most of the way done. Hopefully, I'll get the tolex and piping on it this weekend.

Jerimysbassstuff8-26-12001_zps0dc4fc96.jpg

You crafty devil!!! Nice work!!!
 
You crafty devil!!! Nice work!!!

Thanks Man! Yea, still gonna be red with the two black piping stripes. Like I was telling You I had considered doing the center section with that white tolex I have laying around, but decided to just stick with the red, to keep it from looking all "Marlboro Country", like I finally cashed in all the "Miles" I'd been saving since the 90's, haha.
 
Thanks Man! Yea, still gonna be red with the two black piping stripes. Like I was telling You I had considered doing the center section with that white tolex I have laying around, but decided to just stick with the red, to keep it from looking all "Marlboro Country", like I finally cashed in all the "Miles" I'd been saving since the 90's, haha.

Ha ha, Marlboro miles reference.
 
Looks great Jmac! Did you ever try buying bigger feet for yours? If so, if I recall correctly you through bolted from the bottom into the amp, do you know where I can find feet that fit with an opening that fits those screws? I never got around to putting the feet back on mine and it's been vibrating around on my cab. Dually throws out so much low end.

Glad you got your Orange back George. I really dig mine.
 
I busted out the ATK for practice last night. Man that thing is fun to play I'm just not the biggest fan of the active electronics. Really stoked on the new song we started working on.

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Put the final touches on the final song for our new record tonight. If all goes to plan we should start tracking the new record in a couple weeks.

More importantly, I played the dunwich preamp with the band for the first time tonight. Holy ****, Nick knocked it out of the park. I knew it sounded great when I was playing solo. But with the whole band it was absolutely devastating. My bass tone has never been better, between the dunwich and my dually/66 combo I've finally done it. It's everything I have ever wanted from a bass rig.