My late buddy guitar player always said: If you don't know how to play on crap instrument, you would never appreciate good instrument".
It was meant to be so...
It was meant to be so...
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Where I was from Fender was the only bass to have, but only an MIA Fender. MIJ Fenders were considered little more than dung shaped to resemble an instrument, and Peavey was even lower than that.I wanted a Peavey back in the '80s. Never had one, and at this point probably never will. I thought of those as a bit of a holy grail.
Your wife made a brilliant analogy about deflated basketballs.I had a conversation with my wife about similar ideas regarding violins lately. She's a violinist, and teaches orchestra in a local school district. She's had plenty of students who have questionable instruments bought online. I haven't seem them in person, and I certainly can't play violin, but my wife knows her stuff. I wonder why those cheap violins can't be made to the same exacting standards as a bass? I've never had issues with playability on any modern bass. (I've been playing for 20 years, which makes me feel old...) She likened it to parents telling their children that they could play basketball, but only with a deflated ball until they really got into it. Then, they'd inflate the ball (aka buy a better instrument). Seems to prevent people from wanting to follow that path.
In keeping with the topic, this makes me feel lucky (and old!). My first bass (which I still own!) was an Ibanez SR300DX. It's nothing fancy, but there are certainly no issues as far as playability and quality. It's a solid bass, and I've never had any issues with it regarding the functionality aspect of its use - it's been great! I couldn't imagine starting on a bass that had functional issues that I would have no idea about. It would kill me because I would probably think I was terrible. (Which I am, but not for that reason! I don't need any help to play poorly!) Anyway, I'm glad that even cheap basses are well-made - if we want people to play, they have to have serviceable instruments from the same.
That she did!Your wife made a brilliant analogy about deflated basketballs.
Beginning bassist's have it 100x better than folks who started when I did.
When speaking of buying instruments - yes indeed.
When speaking of having quality learning stuff for no money - yes.
When speaking of career options - bad news. Rock and rock bands became niche music and bass in modern pop comes from software.
EDIT
My first bass had no truss rod. Neck resembled a bow and playing anything above 3rd fret simply couldn't be in tune.
I paid around 40$ in 1998 and I had to work 4days to earn this enormous money.
I was out and did my regular reconnaissance at my local Fender (where I bought my US Geddy,) and saw some interesting stuff today. I saw a new Affinity J5, and as usual, it is a great budget bass. Frankly, I think the Affinity takes a better set up than my Squier Contemporary Jazz V. If I bought that bass, gave the trussrod a turn and shimmed the neck, I know it would play like a dream.
In contrast, I saw a no name import, probably from the Seventies or early Eighties, that looked about like my first bass and was about as crappy. The action was bordering on unplayable and that is why I did not last long on it.
Beginning bassist's have it 100x better than folks who started when I did.
How so? You can't play at all with a deflated ball. But you can certainly play on an ultra-cheapo violin, no matter what the pros say (at least, as long as it's not so cheap that it's falling apart). In fact, a pro who will stoop so low as to actually play one sounds rather good. Try that with a deflated basketball.Your wife made a brilliant analogy about deflated basketballs.