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Stepping down from high end basses

I don’t imagine anyone will have been “super happy” going from high end to run of the mill electric basses. I own a beautiful Skjold- when I play my Fenders, I’m not ‘super happy’ about it, though I love those basses too. I’d keep it, you might end up playing it more someday, and you’ll have the Sadowsky in your hands. Maybe you are really saying you are not an electric bass guitarist anymore, and when you do play one, it won’t matter if it’s a simple off the rack type deal. In that case, I think you know what you want to do.
 
I used to have thousands of dollars tied up into basses and now I have a family and can't justify having the money being tied up into $2,000 + instruments. My experience with basses over the $1000 mark is that they are only incrementally better than many of the lower priced counterparts. My experience with USA Fenders, G&L, Spector Euros, Peavey Cirrus and even my Ibanez ATK has been by and large more positive than more expensive basses. more than that and I feel like I was paying for aesthetics, boutique (not necessarily better) electronics or a custom feel. My favorite bass currently is my G&L L-2500. I am more than content with that but , honestly , that's all I need. I've had Zons, Skjolds, Benavente, Lowend that all played with the effortlessness of a custom built instrument but they weren't $2000+ better than my humble G&L. My Peavey Cirrus Tigereye felt and played as well if not better than any custom I've ever touched. I miss that bass.
 
In my opinion, if you don't need to sell your Sadowsky don't sell it. I've had my Pedulla Thunderbolt since 1995, I took up the double bass around 2000. I toyed with selling my Pedulla, but then some opportunities arose to play electric and I was glad to have it. That bass has paid for itself twice over at least.
 
If you’re gigging and getting paid, any bass you buy will eventually pay for itself. So really, high end, starter or decent $700-$2000.00 bass is really not important. A good tone, playability, and when needed, an adjustable instrument makes those gigs, rehearsals and jam sessions much more enjoyable. There’s no right or wrong answer to the gear one uses. It’s all about results.

As a footnote, starter instruments are on a whole new level these last few years. A $300.00 bass can really be an excellent bass to learn & grow on due to their playability and build quality. Early on, I was compelled to spend more money to get into the Gibson, Fender and later Ibanez gear because the low grade starter instruments up in to the mid 80’s were not great at all.

Just keep at what about making music keeps you doing it and staying curious.
 
After quite a few high end basses, and the fact that I’m playing upright almost exclusively,
I’m ready to step down. Currently own a Sadowsky Metro 5.
Has anyone stepped down from a high end bass to a sub 1000 dollar bass and been super happy with the change?

I stumbled across a Warmoth parts J5, all Hipshot hardware, Fralin 10% overwound J singles, and a Stellartone full system on a J plate a few months ago.

It plays and sounds as good as anything I've got with a +$1000 sticker on the headstock.

If it plays right, sounds good, and didn't cost as much or if not more than a used 1992 F150 than why look for soemthing bad about your "cheaper" bass?
 
So I'm in the process of moving and so a lot of my expensive stuff is in storage for the summer. I was fortunate to inherit a lot of vintage pre-cbs, cbs fenders and played those and some cs guitars for most of my musical adventures.

Anyway, on a whim I picked up a used MIM jazz from guitar center to have something handy for the next few months and it's honestly fantastic. $399 + tax!!

I put some flats on it, adjusted the saddles a hair, quick tweak of the truss rod, and this thing is KILLING IT. I can't believe what you can get for 4 bills. Neck is super smooth, frets are well dressed, sustain is awesome, and 8.5 lbs. Was planning to clist at the end of the summer but I'm honestly just gonna hang onto it.
 
Two years ago, my wife underwent unsuccessful spinal fusion surgery. Our income was cut in half, and with the expenses, some toys had to go, including my two Alembic five-strings. Faced with the choice of keeping them or turning them to make six months' mortgage, the answer was obvious.

Now I no longer gig, but I've had axes around the house since the late 70's. I was now bass-less. Facing several new realities, I bought a Squier James Johnston Sig Jazz Bass, and a little later, a Squier Precision Five. All I really wanted was something to play around the house, and I've always wanted to own a few Fenders to hot rod, since everyone except Edelbrock makes aftermarket parts for them, so that was part of it as well. I figure retail to retail, the spend is roughly 1/10 of the Alembics.

Honestly, it was time. Alembics are wonderful, nothing else is close, and they ARE everything you think they are, and are built and backed by the very best people in the music business. I'd owned them for more than a few years, and it was time for something else. But the problem is how do you go up from Alembics? You don't. So I went the other way. The best way I can put it is that the Alembics were like dressing to the nines every day, the Squiers are like my favorite pair of old jeans. No worries if I clunk into something with one of them.

The difference in construction is of course vast, but the Squiers are sufficient as I know what parts are OK as-is, and what needs upgrading with my experience of all these years. I have no illusions that they are just as good as the Alembics (what is?), but in my new circumstances they are sufficient, I have fun with them, and I can keep my hands in the game, even if it's only from the sidelines from here on out.
 
Just an FYI: you can certainly install a Sadowsky preamp and pickups of your choice in a Fender. That, and a pro setup done by somebody, like Pat Wilkins, can get you most of what your Sadowsky does around the price target you mentioned. I happen to think Sadowsky basses are awesome, am a big fan of both the US and Japan shops, and don’t mind shelling out what’s needed to play one of their basses. But, I also do a lot of gigs on a couple of Fender parts basses with the Sadowsky preamp, and dig what those do as well.