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Strange Tricks for Practice. (Extremely Helpful)

MarcTheRogue

Guest
Mar 27, 2013
83
7
Hey guys! Hope everything is alright with my fellow bassists!

I'd like to share with you some strange tricks that got my chops up in a short amount of time. I'm only 16 years old, I've been playing bass for only 2 1/2 years, and people are always telling me that I'm an amazing bassist. I never really believed them, honestly. I just always figured myself to be a quick learner. But then I started analyzing how I practice, and it became clear how I learned bass so quickly. I had been doing two very basic practice techniques that not too many bassists do, and I never really noticed it until recently. I don't want to scam people and make money off of this, so I might as well share it with my bass-fam! So, here we go!

Practice in front of a mirror.
When you read this, you might not think that practicing in front of a mirror does much help. But in reality, it aids you greatly in many ways. For example, some of us watch videos detailing how to play a song, a scale, a riff, or a chord. Clearly, you can see the front of the fretboard, and how the person in the video uses fingering to demonstrate how to fret the notes properly. Now, when we practice this ourselves, it's a bit different when we're looking at the fretboard from above. We can't see the frets at a perfect front-view angle. You may not realize it, but a lot of people find this difficult, especially if they have vision or stance problems. By practicing in front of a mirror, you can perfectly see your fretboard and you can use correct fingering techniques. You can also add in small things into your playstyle when sitting in front of a mirror to add some personality to the music. Not only does this help with some learning confusions, but by remembering what you saw in the mirror when you tirelessly repeated your practice sessions, you can learn a song much quicker. I'd recommend using a dresser mirror. One that is big enough for you to see your whole body.

Extend your forearm and elbow for your playing hand.
While the previous trick promotes mental memory, this trick promotes muscle memory. By extending the forearm and elbow of your right arm (or left, for all of my lefty bassists), you're exerting more energy into that playing hand. Most people sling their wrist over their bass, and all of the power is just in their fingers or wrist. If you just extend your arm out by a 45 degree angle, you're making your entire arm dedicate energy to your playing. This also works for people who use picks as well. You'll notice cleaner/more defined notes, some extra muscle tone in your arm, and more muscle memory for your playing. However, the key is not to tense or flex your muscles while playing. All you have to do is extend and play. Simple as that.

So by combining these two techniques together, you can play bass better visually, mentally, and physically. I've been using this since I first started playing bass, and it's helped in more ways that I can imagine. I hope you guys give it a try and leave some feedback.

Cheers!
 
Hey guys! Hope everything is alright with my fellow bassists!

I'd like to share with you some strange tricks that got my chops up in a short amount of time. I'm only 16 years old, I've been playing bass for only 2 1/2 years, and people are always telling me that I'm an amazing bassist. I never really believed them, honestly. I just always figured myself to be a quick learner. But then I started analyzing how I practice, and it became clear how I learned bass so quickly. I had been doing two very basic practice techniques that not too many bassists do, and I never really noticed it until recently. I don't want to scam people and make money off of this, so I might as well share it with my bass-fam! So, here we go!

Practice in front of a mirror.
When you read this, you might not think that practicing in front of a mirror does much help. But in reality, it aids you greatly in many ways. For example, some of us watch videos detailing how to play a song, a scale, a riff, or a chord. Clearly, you can see the front of the fretboard, and how the person in the video uses fingering to demonstrate how to fret the notes properly. Now, when we practice this ourselves, it's a bit different when we're looking at the fretboard from above. We can't see the frets at a perfect front-view angle. You may not realize it, but a lot of people find this difficult, especially if they have vision or stance problems. By practicing in front of a mirror, you can perfectly see your fretboard and you can use correct fingering techniques. You can also add in small things into your playstyle when sitting in front of a mirror to add some personality to the music. Not only does this help with some learning confusions, but by remembering what you saw in the mirror when you tirelessly repeated your practice sessions, you can learn a song much quicker. I'd recommend using a dresser mirror. One that is big enough for you to see your whole body.

Extend your forearm and elbow for your playing hand.
While the previous trick promotes mental memory, this trick promotes muscle memory. By extending the forearm and elbow of your right arm (or left, for all of my lefty bassists), you're exerting more energy into that playing hand. Most people sling their wrist over their bass, and all of the power is just in their fingers or wrist. If you just extend your arm out by a 45 degree angle, you're making your entire arm dedicate energy to your playing. This also works for people who use picks as well. You'll notice cleaner/more defined notes, some extra muscle tone in your arm, and more muscle memory for your playing. However, the key is not to tense or flex your muscles while playing. All you have to do is extend and play. Simple as that.

So by combining these two techniques together, you can play bass better visually, mentally, and physically. I've been using this since I first started playing bass, and it's helped in more ways that I can imagine. I hope you guys give it a try and leave some feedback.

Cheers!
Thank you very much! Interesting
 
Extend your forearm and elbow for your playing hand.

When it comes to orienting the body and instrument in 3D space,
Words alone are rarely a precise enough description.
"extend your arm 45 degrees" is easy to misinterpret.

Pictures showing the difference between "extended" and "not extended" would be best

If I'm correct that the point is to avoid the loss of strength that comes form bending your wrist,
I think "straighten your wrist" is a better way to explain the idea.
 
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If you're a fretless player, work on being able to play with your eyes closed. Helps muscle memory by freeing you from the limitations that come from an over reliance on needing to look at the neck.

Not a bad skill for any player really just in case you ever find yourself playing under inadequate or bad stage lighting.
 
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When it comes to orienting the body and instrument in 3D space,
Words alone are rarely a precise enough description.
"extend your arm 45 degrees" is easy to misinterpret.

Pictures showing the difference between "extended" and "not extended" would be best

If I'm correct that the point is to avoid the loss of strength that comes form bending your wrist,
I think "straighten your wrist" is a better way to explain the idea.
That is right, I was planning on later go and figure out what exactly that meant
 
If you're a fretless player, work on being able to play with your eyes closed. Helps muscle memory by freeing you from the limitations that come from an over reliance on needing to look at the neck.

Not a bad skill for any player really just in case you ever find yourself playing under inadequate or bad stage lighting.
Thank you!
 
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If you're a fretless player, work on being able to play with your eyes closed. Helps muscle memory by freeing you from the limitations that come from an over reliance on needing to look at the neck.

Not a bad skill for any player really just in case you ever find yourself playing under inadequate or bad stage lighting.
Ok! Another BIG thank you!
Sometimes a "little" remark by someone makes a BIG difference!
I never even imagen I would be ever able to play without looking, but your remark "opened" something in my head... and I decided to try... And ... well..... thank you!
 
Ok! Another BIG thank you!
Sometimes a "little" remark by someone makes a BIG difference!
I never even imagen I would be ever able to play without looking, but your remark "opened" something in my head... and I decided to try... And ... well..... thank you!

You’re welcome. :)

Look at it this way, you basically already know where the notes are on the neck…so… :)

I see this all the time. People distrust their own skills and almost seem to need some weird sort of outside “permission” to be what they already are. I was messing with a fretless in GC awhile back and some guy wandered over and said he always wished he could play a fretless bass. I asked him how long he had been playing and he said something like seven years. So I handed him the bass and told him to sit down where I was sitting. He asked what he should do. And I told him to just play it. He looked at me funny. But I said: Look, you’ve been playing for quite awhile now. You know where the notes are on the neck right? So what difference should no frets make? The notes are in the same places they always were. Just play.

And he did. And his expression was priceless. Sure, his intonation was slightly off in places, as could be expected. But he was close enough that you could see if he put some time and effort into it he could be up to an acceptable level fairly shortly. And have it nailed down within a year tops.

He wasn’t unusual either. He could pretty much already do it. He was just waiting to be told by somebody (a complete nobody like me no less! :laugh:) that he could. How weird is that?

Go figure. ;)
 
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You’re welcome. :)

Look at it this way, you basically already know where the notes are on the neck…so… :)

I see this all the time. People distrust their own skills and almost seem to need some weird sort of outside “permission” to be what they already are. I was messing with a fretless in GC awhile back and some guy wandered over and said he always wished he could play a fretless bass. I asked him how long he had been playing and he said something like seven years. So I handed him the bass and told him to sit down where I was sitting. He asked what he should do. And I told him to just play it. He looked at me funny. But I said: Look, you’ve been playing for quite awhile now. You know where the notes are on the neck right? So what difference should no frets make? The notes are in the same places they always were. Just play.

And he did. And his expression was priceless. Sure, his intonation was slightly off in places, as could be expected. But he was close enough that you could see if he put some time and effort into it he could be up to an acceptable level fairly shortly. And have it nailed down within a year tops.

He wasn’t unusual either. He could pretty much already do it. He was just waiting to be told by somebody (a complete nobody like me no less! :laugh:) that he could. How weird is that?

Go figure. ;)
Oh, well... I only play for 3 months. I have one fretet bass and one lined fretless, And... no, I dont know where the notes are... and as a child I played the piano a few years, and couldnt play without looking. I guess someone who reads notes has to... I never read notes ( dyslexia) I played only by ear then, and now...
But yes... Im getting all kind of new different perspective... so its cool...
 
Practicing in front of a mirror is great advice.
It is especially helpful with fretting hand technique.
So many people watch players with fabulous fretting hand technique like Pino or Felix Pastorius and ask, “why can’t I do that?”
The simple answer is, because you AREN’T doing that!!!
Practicing in front of a mirror really helps you see what your hand looks like and to put it where you already know it needs to be.
 
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Practice in front of a mirror.

Cheers!
Thanks for sharing. You reminded me of a time in a Greek restaurant where the bouzouki player had really bad picking technique. The skill is all in wrist movement and he was kind of using his whole arm.

There was a floor to ceiling mirror opposite the stage, he used a shoelace to tie his arm to the strings between the bridge and tailpiece and for 4 years just stared at that mirror while he played.

Now he is super fast and accurate, nothing like dedication eh?
 
Oh, well... I only play for 3 months. I have one fretet bass and one lined fretless, And... no, I dont know where the notes are... and as a child I played the piano a few years, and couldnt play without looking. I guess someone who reads notes has to... I never read notes ( dyslexia) I played only by ear then, and now...
But yes... Im getting all kind of new different perspective... so its cool...

Yep. But you’ve taken the first steps and are now on your way to becoming a bass player - so it’s all good. Hardest thing to do is start. Like director Woody Allen so famously said : “80% of success is showing up.” To which I’ll add that the remaining 20% is being the last one to quit.

(And don’t be afraid to look if you need to. Use whatever works. Just keep playing.)

:thumbsup:
 
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Yep. But you’ve taken the first steps and are now on your way to becoming a bass player - so it’s all good. Hardest thing to do is start. Like director Woody Allen so famously said : “80% of success is showing up.” To which I’ll add that the remaining 20% is being the last one to quit.

(And don’t be afraid to look if you need to. Use whatever works. Just keep playing.)

:thumbsup:
Thanks!!! I will. B"h