Just picked up my first acoustic bass this week, it's a Washburn AB10, and I love everything about it except the old rotting nickel strings on it. I'm not sure what I should string this baby up with now. I've got Chromes on my VM Jazz, and I love them, but I've read that Washburns don't take too kindly to all that tension. After doing some research I'm leaning towards tapewounds. I've also read that Labellas can be very girthy and require nut widening, and I'd like to avoid that. I'm not opposed to nickel if the tone is right. The tone I'm after dark and on the mellow side.
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String advice for acoustic bass
- Thread starter chiron_griffin
- Start date
Sounds like youre on the right track
One sound i enjoyed that fits that were the Tru-bass tapewounds
On a shortscale abg
One sound i enjoyed that fits that were the Tru-bass tapewounds
On a shortscale abg
D'Addario Tapewounds are standard-gauge. I'm looking at a set of D'Addario Half-Rounds for my Ibanez AEB5E.
On tapewounds I was torn between the Rotos and the D'Addarios. Like I said, I love my Chromes, so I'm naturally inclined to lean towards D'Addarios. I've read a lot of good about the Tru Bass, but the tension is a tad bit more than the D'Addarios. Not sure why I put nickel earlier, when the current strings are definitely phosphor bronze.
I absolutely love chromes on my ABG, totally different character than flats on an electric bass. It's not a dark sound though, it's actually a very full range sound with a strong attack. If you want thick and dark, go for tapewounds.
I see you have a "Cheap Ibanez ABG." Is that the AEB5E? I have one, and I'm avidly searching for a new set of strings.
Yep that's the one. I love the Chromes on it to death, but I would actually prefer something with a bit less midrange emphasis, possibly Roto 77s or the new Fender Flats. All of these strings are very high tension but IME the increased overtones and larger mass of the string make the bass much louder than a slinkier set of flats do. I can keep up with 2 acoustic guitars and a harp easily(in a reasonably quiet room). I had a dead set of Roto 66s and some Ernie Ball bronze strings on it for a while, and they sounded nice but I really prefer the absence of finger noise on an ABG.
I liked Tapes on my Godin A4. LaBellas, Fender, D'addario or GHS.
Whatever you do, don't get bronze. I liked low tension flats too.
Whatever you do, don't get bronze. I liked low tension flats too.
I'm still torn on this decision, which is terrible because I'm really hating these nasty old bronze strings. I've been playing the Washburn almost exclusively since I got it, and I really like the idea of tapes. Though every time I pick up my VM Jazz I'm reminded of how much I love Chromes. I have yet to find any tapewounds in my local music shops, but I could snag a set of Chromes today. ugh, decisions decisions.
I've been using GHS 3060 Tape Wounds on my Tacoma Thunderchief. With a bit of EQ they sound very upright-ish (and I play the upright bass). Relatively inexpensive, too, but last a long, long time.
I have a new set of Thomastik Acousticores for sale if you're interested. I wasn't crazy about them, but lots of players love 'em.
I have a new set of Thomastik Acousticores for sale if you're interested. I wasn't crazy about them, but lots of players love 'em.
I like the idea of the Thomastik Acousticores, but I'm not crazy about bronze, and have lusted after their flats, but being as big a noob as I am, I haven't been able to bring myself to justify their price tag. I almost went for tapes on my Jazz but decided on flats. I'm leaning toward the D'addario tapes mostly because I don't want to widen the nut as I've heard is required of Labella and GHS. So those of you that have used them, did you have to widen the nut or were you fine leaving it be?
