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Sunbeams or TI flats on a P bass?

I think they are the best examples of both types of string. Sort of apples to oranges. I recommend the T.I.'s all day long simply because they last forever and sound great just as long. The DR's are a great string also, not too high tension with a full, round sound. Honestly, you can't go wrong with either one but the T.I.'s are the most versatile and will cover every type of music out there, where you may be trying to dial certain sounds out (such as high end) more with the DR's.
 
TI's aren't for everyone. My research found that more people like them than don't, but a lot of people don't. I tried TI's on my Coronado, and they didn't work for me at all, but I know I shouldn't use light guage strings on a short scale bass anyway. The tension was way too low for me, but I haven't put them on one of my long scales to see if I would like them there. So at present, I'm in the, "don't care for TI's", camp.

My Pbass has LaBella Deep Talkin' Flats, which is a perfect match.

057912
 
TI's aren't for everyone. My research found that more people like them than don't, but a lot of people don't. I tried TI's on my Coronado, and they didn't work for me at all, but I know I shouldn't use light guage strings on a short scale bass anyway. The tension was way too low for me, but I haven't put them on one of my long scales to see if I would like them there. So at present, I'm in the, "don't care for TI's", camp.

My Pbass has LaBella Deep Talkin' Flats, which is a perfect match.

057912

So you don't care for TI's after trying them on a Coronado?
 
If you want the big thunk of flats, for rock, IMO Chromes do it better than TI's. So for that reason, I run Chromes on my 83 P with BAII and I run TIJF's on a boulder Creek ABG fretless. The woody, rich harmonic thing of the TI's works nicely for my acoustic thing.

I run TI Super Alloys on a Sterling. My fav round. More booty on tap and less tin with those than with any other round I've tried and they last a long, long time.
 
Ignoring the whole rounds v. flats part:
TI flats are a pretty unique string. They don't really sound like other flats almost brighter but that's not quite the right word. The thing is they are (for me) too loose feeling/too flexible/floppy. For that reason I can't tell you how they change over time.

Sunbeams are a nice nickel round. New they aren't as bright as say D'addario nickel XL's (which mellow out quite a bit and rather quickly if that's what you are looking for). They seem to age nicely and last longer than D'addario's. They are full sounding and more flexible than other rounds in respective gauges.

You have to ask yourself, are you looking for a mellower more fundamental sound or even "thump"? Look into flats. Do you need an edgy sound but nothing too bright? Nickel rounds. Do you want a brighter edgy sound? Stainless rounds or the new Ernie Ball Cobalts.
 
Well, for my basses I have three favorites.
DR Sunbeams rounds
D'Addario Chromes flats
TI Jazz flats

I play rock, prog, alt, post-rock, all that sort of thing.

Sunbeams are great rounds and have a nice zing that doesn't overpower but lasts a long time. Really pleased with them.

Chromes have a big fat midrange going on, and work really well in a rock context, more than most flats but are not typical flatwounds.

TI Jazz are great for getting that upright bass sound out of almost anything. These are much better at the mellower types of music, and the low tension is pretty interesting. Considering the cost of the TI Jazz flats, I'd probably try Chromes first and see if they suited my music and whether I could handle more thud in the music before getting them. Check out youtube vids of Carol Kaye to hear them in action. I'd go as far as to say that if an upright bass would sound good playing the music, the TI Flats will sound good.

I'm on a roundwound buzz at the moment so I'd probably go for the sunbeams.
 
:cool:

I love TI-Flats. But check out Ken Smith Compressors.
They sound wonderful on a P-Bass.
I prefer TI-flars on a rosewood fingerboard. And Compressors on a maple fingerboard.
As for Sunbeams, they kill on a Jazz Bass.
 
Both are a great choice. TIs are absolutely great on a P-bass. They cut better than any other flatwound I have tried on that bass. Plus, as mentioned, they don't sound like a true flat. In fact mine pack a mid centric puch great for many things. In fact I did a fill in w/ a band that played some ska and punk stuff and the TIs worked just fine. I would favour the TIs but as said, the Sunbeams will work out just fine. Both are pretty damn low tension though.
 
i've got TI's on my CV 60's P bass and they rule! i need to try Sunbeams though...may be getting a VM Amber P bass and i think Sunbeams are going to rock on it as well as getting some Wilde P46 pickups...but man, those TI flats are cool! even with od/dist/fuzz, they seem to be holding up well...even with some mild slapping!!
i love the rich caramel swirl of tone they have, but they do rock for sure...i can't wait to a/b the two sets...trying to find my perfect go to rock funk postpunk string...