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Sweet Home Alabama

ElectroVibe

ElectroVibe

Inactive
Mar 2, 2013
4,136
5,452
#1
EDIT: My original question was regarding songs like those of Bad Company like "Feel Like Makin Love." I didn't know about the controversy with the Lynyrd Skynyrd song, and that is what the thread turned into a discussion of.

UPDATE 1: The song has a D tonal center (to my ears). It uses the chords D, C, G, and F. Or some variation of them.

UPDATE 2: Blues Scale in "D" sounds right.

UPDATE 3: I should have used Bad Company's "Feel Like Makin Love" as the example for the question. Neither song uses the V chord.
 
#2
ElectroVibe said:
This question could apply to this song or any other that uses this common mode or whatever it is that is used in this song and other rock songs like it.

How do you approach this song if you don't know the theory behind the different modes?

Normally I would just keep it simple. (And I'm sure that is what the Lyrnyrd Skynyrd bassist probably did.) But what if you really wanted to "explore" the song. Other than just playing by ear, is there a simple way to think of it in regular scales, or do you have to actually learn the mode used in this type of song?
Thanks.
Click to expand...
Well first I would not be playing modes. Modes are melody notes and I play chord tones or notes of the chord. So here is what I would do.

I first find the chord progression on the song by asking Google for: Guitar chords, Sweet Home Alabama -- and got this. http://tabs.ultimate-guitar.com/l/lynyrd_skynyrd/sweet_home_alabama_crd.htm

OK now that I have the chords I next want to know the key. Why? So I can place the root note of my Major Scale Box Pattern over the note found on my fretboard.
Code: 
Bass Patterns based upon the Major Scale box.

Major Scale Box. 

G|---2---|-------|---3---|---4---| 1st string
D|---6---|-------|---7---|---8---|
A|---3---|---4---|-------|---5---|
E|-------|---R---|-------|---2---|4th string
Want to build a bass line around the Cmaj7 chord?  Place
The R in the box over a C note on your fretboard.  The one
at the 4th string 8th fret is what I would use.  Then play
the R-3-5-7 found within the box.  Those are the notes of
the Cmaj7 chord.
Basic Chords
• Major Triad = R-3-5
• Minor Triad = R-b3-5
• Diminished Chord = R-b3-b5
7th Chords
• Maj7 = R-3-5-7
• Minor 7 = R-b3-5-b7
• Dominant 7 = R-3-5-b7
• ½ diminished = R-b3-b5-b7
• Full diminished = R-b3-b5-bb7
See a chord and play it's chord tones. As every key will have three major, three minor and one diminished chord it's a good idea to get your major, minor and diminished bass line chord tones into muscle memory so when you see a chord your fingers just know what will work. Now the song may only give you enough room for the root, or root five - adapt and get as many chord tones into your bass line as needed. Root on 1 and a steady groove from the other chord tones plus something to call attention to the chord change will keep you gigging.
Click to expand...

Next thing I would do is decide what key is being used in that fake chord sheet music. Notice how all the verse lines end with the G chord. That tells me that this song is to be played in the key of G. Key of G major chords are; G, C & D or D7. It is here that I use the Nashville number system and on the fake chord I substitute Nashville numbers for chord names, i.e. ......
Key of G has these chords: G, Am, Bm, C, D, Em, F#m7b5
Nashville numbers for that..1..2.....3.....4..5..6.....7

I put a 1 over the G chord notation on the fake chord, and yes a 4 over the C's and a 5 over the D's. Then I place my major scale box so it will have the notes of the key of G in them. Forth string 10th fret and then play from the fake chord.

Lyric syllable - one note per syllable. Big wheels keep on turn-ing. OK Big gets one note and I'm going to play just roots for now - so D chord is what Nashville number? Yep, it's a 5. So in my box I grab a 5 for one beat. Now up comes the C chord over the lyric word "wheels" so I sound the C chord or 4 on my box. Now the lyric words "keep on" each need a beat of the 4 and then the word "turn-ing" is going to need a G chord and that is the 1 Nashville number, so I sound the 1 in my box twice, why twice? because "turn-ing" has two syllables.

That's it. Keep going with all the verses of the fake chord.

Gotta go, will check back later.
 
#3
+1 on the chord charts. They're all over the web, and they're *usually* right. That'll give you the framework you need to experiment. But, and this is just my opinion, when playing it live I play it very close to the original. That song is still wildly popular, and Skynyrd got it right the first time.

But own your own time, yeah, have fun playing around with it. :)
 
#4
Winfred said:
But, and this is just my opinion, when playing it live I play it very close to the original. That song is still wildly popular, and Skynyrd got it right the first time.
Click to expand...

My opinion too.

I also realized that most people who complain about playing this song, never learned it properly. If played the way it was recorded there are a lot of nice, well thought out changes going on, and the bass is locked in with everything incredibly well. Most people just improvise over the 3 chords throughout the song, and well... That's a little sad to me. I'd learn the song as recorded if you haven't already, and then start thinking about modes.

I also much prefer listening and feeling when I'm playing, than thinking and getting scientific about what I'm doing. Whle the theory behind the music is a definite asset to know, I don't think it should be the first thing we consider. Takes away from the "art" of it, for me.
 
#6
MalcolmAmos said:
Well first I would not be playing modes. Modes are melody notes and I play chord tones or notes of the chord. So here is what I would do.

I first find the chord progression on the song by asking Google for: Guitar chords, Sweet Home Alabama -- and got this. http://tabs.ultimate-guitar.com/l/lynyrd_skynyrd/sweet_home_alabama_crd.htm

OK now that I have the chords I next want to know the key. Why? So I can place the root note of my Major Scale Box Pattern over the note found on my fretboard.
Code: 
Bass Patterns based upon the Major Scale box.

Major Scale Box. 

G|---2---|-------|---3---|---4---| 1st string
D|---6---|-------|---7---|---8---|
A|---3---|---4---|-------|---5---|
E|-------|---R---|-------|---2---|4th string
Want to build a bass line around the Cmaj7 chord?  Place
The R in the box over a C note on your fretboard.  The one
at the 4th string 8th fret is what I would use.  Then play
the R-3-5-7 found within the box.  Those are the notes of
the Cmaj7 chord.
Next thing I would do is decide what key is being used in that fake chord sheet music. Notice how all the verse lines end with the G chord. That tells me that this song is to be played in the key of G. Key of G major chords are; G, C & D or D7. It is here that I use the Nashville number system and on the fake chord I substitute Nashville numbers for chord names, i.e. ......
Key of G has these chords: G, Am, Bm, C, D, Em, F#m7b5
Nashville numbers for that..1..2.....3.....4..5..6.....7

I put a 1 over the G chord notation on the fake chord, and yes a 4 over the C's and a 5 over the D's. Then I place my major scale box so it will have the notes of the key of G in them. Forth string 10th fret and then play from the fake chord.

Lyric syllable - one note per syllable. Big wheels keep on turn-ing. OK Big gets one note and I'm going to play just roots for now - so D chord is what Nashville number? Yep, it's a 5. So in my box I grab a 5 for one beat. Now up comes the C chord over the lyric word "wheels" so I sound the C chord or 4 on my box. Now the lyric words "keep on" each need a beat of the 4 and then the word "turn-ing" is going to need a G chord and that is the 1 Nashville number, so I sound the 1 in my box twice, why twice? because "turn-ing" has two syllables.

That's it. Keep going with all the verses of the fake chord.

Gotta go, will check back later.
Click to expand...


This is where you learn that all the theory in the world won't help if you don't use your ears. The tune is in D.
 
#8
Pacman said:
This is where you learn that all the theory in the world won't help if you don't use your ears. The tune is in D.
Click to expand...

True! I even saw a piece of sheet music that showed one sharp. Most "theory" types would assume that it was in that key as a result.

But if you can't trust your ears and all you know is theory, what good is theory, really, for people who can't hear it.
 
#13
Write out the chords to the song and know them well.
Playing along with just roots won't help at all.
All bass players should play a chording instrument,i.e. guitar, piano.
As Joe Nerve states this tune has a nice bass line and most of the time
you hear someone just jammin over it.
 
#16
rtslinger said:
Or maybe the op is just trying to take it apart to figure out why something so damn simple could be so popular. I say don't discourage the OP efforts in learning. Not to mention it was said it could be any song this one was used as an example.
Click to expand...

I accept your point. However, I dont think anyone is trying to impede the OP from learning. They are just trying to point out that generally speaking, for songs like this, chords are the way to go. :)

The OP asked...."how do you approach this song if you don't know the theory behind the different modes?"

IMO, people answered his question completely and honostly.
 

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