Following are the notes. I cut out everything except for the effect chains. Please check to make sure that your notes are correct. After the final edits, Robertpaulson will be formatting them. Once that is completed, I will send the album and graphics to NAD as a zip file to be hosted on his server. I think Nad will host the wav files as well if anyone is interested in hearing the tracks in a higher resolution.
It will look and work something like this
(hopefully):
Link Removed
Sorry for the shameless, yet subtle, plug for my last solo effort
Termination Dust Passinwind
Passinwind 4B preamp > Boss GX-700 modeler (Soldano amp model) w/Hafler T-2 tube distortion in GX-700 EFX loop. Delay, verb, additional EQ done in GX-700. Post-processing: T-Sledge multiband comp, George Yohng's W1 Limiter. Loop was done in montage function of Wavelab.
Planetoid Escape R³
Boss volume pedal > EHX MicroPOG > R³ Effects Hog's Pie Dual Boost > Catalinbread SFT > R³ Effects Schwartz Fuzz > Wilson Bass Q Wah > Subdecay Prometheus -> Electronix MESSdrive Hybrid+ > R³ Effects modded GGG-tuned Big Muff Pi > R³ Tundra Mammoth > Analogman Mini Chorus (deep mod) > EHX Small Stone Nano > MXR Carbon Copy > EHX Stereo Memory Man w/ Hazarai > Roland RE-150 Space Echo.
Barcalounger on Wheels - Poortom
EHX Enigma > Boss ODB-3 > Boss DD-3.
Five Tentacular Squirrels in the Tomato Patch - jrmy
Two tracks of Garageband percussion, seven drone tracks of my Jazz bass being vibrated by an electric toothbrush, one track of my Bronco piccolo bass through a circuit-bent Boss BF-2, and one track of the Bronco piccolo (Bronccolo?) through both the BF-2 and a Red Panda Labs Bitcrusher.
The seven drone tracks are:
1) clean
2) Mellowtone Wolf Computer + Devi Ever Cherry Pop
3) WC + CP + EH Flanger Hoax
4) Malekko B:assmaster
5) Devi Ever US, Cherry Pop, EH Bass Synthesizer
6) EH POG + EH Holy Stain
7) EH POG + Bass Synth + Holy Stain
All basses were recorded through my Bass Pod on a relatively neutral setting, but the drones were given additional echo & reverb in Garageband. The percussion tracks were treated with distortion & two different reverbs in Garageband as well.
The Intumescence- BigchiefBC
Pigtronix Philosopher's Tone > Mid-Fi Glitch Computer > EHX Flanger Hoax > EHX Bass Micro Synth > Alesis Ampliton.
It is Going to be Alright - Knumbskull -
B:Assmaster >Boss MT2 > Boss ODB3 > Boss GE-7B.
Roll Your Own, from the Sweat-Stained Banana Hammock - Delugeofsound
Digitech Whammy IV > EHX Bassballs > Earthbound Audio Supercollider > Boss TR-2.
Michael Bay is a Decepticon - cheapbasslovin
1st Track: Zoom G2.1u drum Machine > MXR M80 > BMS. 2nd Track: Bass > English Muff'n > BMS. 3rd Track: Bass > HOG > Muff'n > G2.1u phaser. 4th Track: Bass > HOG > Muff'n > G2.1u Trem, Step filter. 5th Track: Same as 4th track, but just for string noise. 6th Track: Bass > HOG > Muff'n > G2.1u Phaser, vibrato > BMS.
Life in a bent mind (excerpt 2.)1 - Mudfuzz
Last Gasp labs Oscillo Fuzz 88 > Katana Sound Thunder Cloud > Roland Space echo.
Denotation XLII nad
FuzzHugger AB-Synth > Frostwave Blue Ringer v2 > Subdecay Echobox.
Eccentric Master Crunch - theunknowndude
Boss PS3 > Subdecay Noise Box > Proco Turbo Rat > Devi Ever Cherry Pop > Ibanez SB7 > Boss BF3 > Hardwire DL8.
Target Earth Mr. Pickles
Drones: Electro Faustus EF101 > delay and verb plugins
Bass Swell: BMS > Echo Ohce
Dirty Bass : Supercollider > Echo Ohce
Clean Bass: OC-2
The Call Nyarlathotep
Mojo Hand Huckleberry v2, OohLaLa Torn's Peaker, and the Empress ParaEQ on the fuzz board, and the GT-10B for everything else. Everything else involves pitch bending and flanger on the fuzz side, octave down on the dry bass side, and digital delay (forward direction type) on both.
Just be patient with me; my plate is full at the moment.
