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TBD - Transformed Bass Day

two fingers

Opinionated blowhard. But not mad about it.
Inactive
Feb 7, 2005
33,959
116,684
55
Eastern NC USA
So, a while back I bought (trade plus cash) a custom LeCompte bass. It just looked too cool to pass up. It was a bad deal. The neck was twisted. The whole saga is covered here.

Do NOT buy, or trade, anything here via PM (under the radar).




During all of that drama, @rojo412 reached out to me. We began a conversation about not only replacing the neck, but also replacing the (boring.... almost timid sounding) preamp and pickups. If I was going to invest in a neck, I figured we would go ahead and make the thing BA in every way.

First off, during the whole process, he was GREAT to work with. He was geeking out with me while we were discussing electronics options. I wanted a passive BEAST. And I got one.

I'm going to describe what we came up with. But I'll defer to him if I describe something incorrectly.

Pickups.

Neck - Nordstrand Big Split
Bridge - Nordstrand Dual Coil

Controls. This is where it gets interesting.
Volume/Volume/Tone
Series/Parallel switch for the pickups (both pickups in series or both pickups in parallel).
Series/Inner Single Coil/Parallel switch for the bridge dual coil.
The tone pot is a pull pot that switches between a .1 cap and a .047 cap (in essence, a brighter circuit and a darker circuit).

Knowing I was going to post this today, I spent about two hours playing the bass last night. As an experiment, I would pick a song in my head. Then I would go about coaxing that tone out of this bass. It seems as though it would be a complicated mess. But it really isn't.

If I soloed the bridge pickup and began playing, and it was too burpy, I would simply throw that pickup into series, pop out the tone pot, and dial back ever so slightly. Boom. Punchy Stingray-esque tone.

Before I was done, I could easily predict what settings would get me where I wanted to be (maybe a tiny tweek of the tone knob needed). Everything makes a big difference. Nothing is subtle. And this bass will do it all.

Does it "nail" a P bass? Nope. But the neck pickup soloed with the dark cap engaged and a slight roll back of the tone knob really does get close.... plenty close enough. And it's a very warm passive tone that will growl a little when I dig in (just like a P bass).

The neck?

First off, it looks amazing. He made it from scratch and matched the style of the original (with some tweaks to the profile). My phone pics don't do it justice. It has some very nice grain, including the fretboard flaming. It has illuminated top dots. (I'll let @rojo412 describe how he made them. They're ridiculously hard to get a pic of with a phone. But I'll post my sad attempt anyway.) Stainless frets.

It also feels great! Last night I was plucking, picking, tapping, and even a little slapping. Getting around that neck is a breeze.

I haven't decided what to do with the head yet. At my request, he left it blank. Something will come to me.

Anyway....

Release the Beast! (While choosing pics I realized I never got one of the whole front, and/or the front of the head. I'll fix that later.)
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First off, gotta say I'm extra stoked that the bass is working well for you @two fingers. This one was definitely fun to make into a good working project. While the circumstances leading up to what needed to be done weren't ideal, the end result is really what matters.

When we were discussing the neck replacement, there was nothing holding us back from changing spec. But since you were into the way it felt overall, I tried to keep that in mind. You said you wanted it feeling kinda meaty, so I got it to a place where it was comfy and meaty and left it. The "D" profile is something I always kind of dug in other instruments, so I'd say this ended up like kind of a fat Status neck, for feel.
Since we didn't want the reliability issues to come back, the 4 graphite bars in the neck were a definite win.
And honestly, stainless frets are amazing because they basically don't wear out, which is why I use them in my builds.

The glow dots though, that was something that basically came from comparison shopping. I looked into Luminlay and basically, they'll sell you a 60mm tube of it (2.36" long) for $20 + shipping from Japan.
For $5, I was able to get a carbon fiber tube, glow powder and super glue and have enough for over 610mm (2 feet) of glowing side dots.
Does that mix contain whatever magical super-glowing substance they use to make Luminlay? Probably not. But it works really well for a LOT less. I did it for a neck for @rogerbmiller as well and he liked it, so it's become something that I'm glad to do in the future. Some of the other people in the Luthier's Corner have even clued me into other tube material that's even cheaper and works great. So yeah, as cool as Luminlay is, this is pretty sweet for a lot less.

Here's a full-on shot for you, David:
IMG_7076.jpg
 
First off, gotta say I'm extra stoked that the bass is working well for you @two fingers. This one was definitely fun to make into a good working project. While the circumstances leading up to what needed to be done weren't ideal, the end result is really what matters.

When we were discussing the neck replacement, there was nothing holding us back from changing spec. But since you were into the way it felt overall, I tried to keep that in mind. You said you wanted it feeling kinda meaty, so I got it to a place where it was comfy and meaty and left it. The "D" profile is something I always kind of dug in other instruments, so I'd say this ended up like kind of a fat Status neck, for feel.
Since we didn't want the reliability issues to come back, the 4 graphite bars in the neck were a definite win.
And honestly, stainless frets are amazing because they basically don't wear out, which is why I use them in my builds.

The glow dots though, that was something that basically came from comparison shopping. I looked into Luminlay and basically, they'll sell you a 60mm tube of it (2.36" long) for $20 + shipping from Japan.
For $5, I was able to get a carbon fiber tube, glow powder and super glue and have enough for over 610mm (2 feet) of glowing side dots.
Does that mix contain whatever magical super-glowing substance they use to make Luminlay? Probably not. But it works really well for a LOT less. I did it for a neck for @rogerbmiller as well and he liked it, so it's become something that I'm glad to do in the future. Some of the other people in the Luthier's Corner have even clued me into other tube material that's even cheaper and works great. So yeah, as cool as Luminlay is, this is pretty sweet for a lot less.

Here's a full-on shot for you, David:
View attachment 3872336

Thanks for chiming in. As I suspected, you did a better job of describing the neck than I did. :D All I know is that I dig it!

Based on what I've been able to gather from the interwebz, I would say your version of dots works about like the expensive brand name ones. If you shine a really bright light on them briefly, they will be bright... briefly. If you put it in sunlight (even through a window) for a while, they last a lot longer. It's almost like plugging them into a charger. If you only "charge" them for a minute, they won't last long. If you leave them exposed to bright light for a while, I can totally see you getting a show out of them. I haven't tried the special little flashlights they sell for such things.

And thanks for posting the full frontal!
 
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