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TC RH450 Club

I'm sure I will :-)! I tested a Staccato in a shop, and the unit was totally satisfying. I'm confident the sound of the RH will be as good as the Staccato's, just different. I wanted to check it first for built quality, sturdiness, look and feel of the commands, weight, size, stuff like that. I'm quite sure the 4 band semi-parametric will let me dial the sound I like without problem.

Just wait now the seller to ship it, customs to check it, and post to handle it... Damn!
 
I'm sure I will :-)! I tested a Staccato in a shop, and the unit was totally satisfying. I'm confident the sound of the RH will be as good as the Staccato's, just different. I wanted to check it first for built quality, sturdiness, look and feel of the commands, weight, size, stuff like that. I'm quite sure the 4 band semi-parametric will let me dial the sound I like without problem.

Just wait now the seller to ship it, customs to check it, and post to handle it... Damn!

It will be just as satisfying....
.......just less red.
 
I'm sure I will :-)! I tested a Staccato in a shop, and the unit was totally satisfying. I'm confident the sound of the RH will be as good as the Staccato's, just different. I wanted to check it first for built quality, sturdiness, look and feel of the commands, weight, size, stuff like that. I'm quite sure the 4 band semi-parametric will let me dial the sound I like without problem.

Just wait now the seller to ship it, customs to check it, and post to handle it... Damn!

The Staccato sounds way different to the Rh, it is way goosed in the lows and the highs, almost the opposite to the RH which is all about mids. Paired with the right cabs both can sound great :)
 
As I'm at the beginning of my bassist life, maybe the RH450 will better fit the bill to learn and educate my ear than the Staccato, which has been tweaked. Maybe later, I'll discover I prefer another sounding amp, but for the moment, sound was not my first concern. Functionality and flexibility, portability, build quality were. The thing had to be a quiet rehearsal headphones amp as well as could evolve towards a gig capable amp. And I got a mental twist that force me to consider also the look and aspect of everything I own (I got a shrink too ;-)).

So practically all combos lack in some department (functionality, power, portability, look). The Staccato had them all, even that amazing red color, but for twice the price of the RH, so I went for the later one.

I'll add RS210 when the need to be heard comes.

I'm sure the semi-parametric section of the RH will allow me to dial something I like.

Still waiting now its arrival (customs clearance at the moment, for 3 days already)...
 
As I'm at the beginning of my bassist life, maybe the RH450 will better fit the bill to learn and educate my ear...

I'm sure the semi-parametric section of the RH will allow me to dial something I like.

I got the RH450 basically as my first amp as born-again beginner (after 20 some years away), and if you don't have an eq method beyond twist & hunt, I highly recommend checking out the method in Alvaro's video, posted on the previous page of this thread.

I think the adjustability of the RH heads is lost (at least in its full potential) on a lot of folks. I was definitely one. Some people are satisfied with the defaults mid-points and very little eq, and that's great for them. Some people twist & hunt or dial based on numeric info, and are satisfied with that. I've seen a number of people dismiss the the amp without digging into the adjustments, and that's cool too. I think it's a perfectly valid want to not have to jack-around with an amp to get the sound that speaks to you...life's too short when there's another amp that does it for you with not much more effort than turning it on.

For me, the sound seemed heaven-sent at times, and then there would be other times that I couldn't make small changes and dial things in (usually under the pressure to start playing at a gig). That produced some frustration and my only real complaint with the amp. At times when I was frustrated with it, I'd wish for a more simple, straight-up 3 or 4 band eq.

Twist & hunt works fine with simple eq. The problem with this method of setting eq is that, with the semi-parametric aspect added, it's not too difficult to actually run the amp into areas were is sounds like wet butt. You can do the math on the possible combinations, taking the full range of both mid-points and eq into account, but it's a big number (millions? hundreds of thousands at least)

What I have set up now is two presets dialed in for my 212, one for my Brubaker and on for my Lakland and the third preset is dialed in for my 115 cab, which is far less sensitive to eq changes (tweeterless). I can make small, on-the-fly adjustments on the bass preamps. I have been utterly happy since running this setup and haven't touched it in months, beyond pressing the various presets.
 
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Thanks drepper for your words.

I saw the video, and the method Alvaro is explaining makes a lot of sense, and I'll use it to find what I like and work best with my bass. I have the time, I'm learning, and have no band or gig plan, so learning to play properly first, and explore and learn how to use the gear in between. Play with effects a little bit, and GAS on next bass. It seems already a rather full program :).
 
Just a question:

The tuner inside the RH450 can be badly influenced by any pedal effect run between bass and amp, right? So, do you guys don't use it, or do you put all your pedal chain in the send return loop, or do you switch off all the effects for tuning, or last, do you use another tuner in front of your pedal chain?

Thanks,
 
Just a question:

The tuner inside the RH450 can be badly influenced by any pedal effect run between bass and amp, right? So, do you guys don't use it, or do you put all your pedal chain in the send return loop, or do you switch off all the effects for tuning, or last, do you use another tuner in front of your pedal chain?

Thanks,

I'm not sure why any effect pedal would affect the tuner (unless it had something to do with pitch). Even then, there wouldn't be a reason to have it on while tuning anyway.
 
Wouldn't a chorus drive or delay blur the pitch somehow?

Suppose they do...why would you not simply turn them off while tuning???

I think you're going through a bout of pre-NAD anxiety/over-thinking. I don't believe people generally use the effects loop for pedals.

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