• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

That transformer tone

Is there a way to get neveish transformer tone for recording without investing in a mic pre? Like a stomp box or something? (I have an old computer so a plugin probably won't work for me unless you can suggest an XP compatible plug in). I have a Broughton studio one, and it's a phenomenal pedal for live gigs, but I wouldn't say it imparts that neve smoothness when recording. (Maybe I'll test it again tomorrow just to confirm)
 
Hudson Electronics Broadcast

"The Broadcast is a transformer coupled, discrete Class-A germanium pre-amplifier based on the classic broadcast consoles of the 1960s."
Yes this one is very high on my list but I'm wondering if it can give me that transformer kind of smoothing to my sound with out a ton of distortion. I definitely planning on trying this thing but I'm wondering if it's mainly a dirt pedal?
 
API TranZformer LX Bass Preamp/DI. Has an output transformer.

prod_XFMRLX_1_m.jpg
 
  • Like
Reactions: Nerve and trothwell
I’ve got one of these Isotope pcb’s on the way I’m hoping will do what your after, a lockdown project for me:

Isotope Amp Overdrive - Aion FX


“Project overview

The Isotope Amp Overdrive is an adaptation of the “Tube Voice” channel of the Intersound Instrument Voicing Preamplifier, a rack preamp from the late 1970s that was favored by Steve Albini and the Grateful Dead among others.

The IVP’s Tube Sound channel was unique in its method of overdriving the signal. There are no diodes to be found, but rather, the signal is clipped by overloading a miniature transformer. Add in a two-band tone control and you’ve got a really flexible circuit that doesn’t look or sound quite like anything else.

The Isotope Amp Overdrive is a greatly reduced version of the IVP, extracting just the Tube Voice channel which makes up approximately 25% of the whole preamp circuit, which also includes a clean channel and 4-band parametric equalizer. It’s been adapted to run off of +/-9V instead of +/-15V like the original. However, all the character of the drive channel is retained and it makes a great standalone drive pedal if you want something a little different!”
 
thanks for the suggestions. i have recently discovered the color module in the 500 series format. seems like stompboxes for recording nerds. i am trying to learn more about that format
500-series is a deep dive. It's a great format that can become expensive very quickly. If you go this route be sure and get a chassis with a high quality power supply.
 
500-series is a deep dive. It's a great format that can become expensive very quickly. If you go this route be sure and get a chassis with a high quality power supply.
yes, i am seeing that... what recommendations do you have for a chassis / power supply? i was thinking the radial 3 slot cube. i will just be using it at home in a non professional capacity. are you familiar with the color stuff?
there are a few manufacturers of stuff like this:
HRK Colour Modules - Bart HRK

theres another company called louder than liftoff who's site seems to be down at the moment

im thinking of just putting together some sort of neve simulator, and perhaps something in the other slots. really just using it like stompboxes. i already have a very nice preamp, now i just want to process the tone slightly without buying a vintage rack.
 
what recommendations do you have for a chassis / power supply? i was thinking the radial 3 slot cube.
Radial makes high quality stuff and should work fine.

i already have a very nice preamp, now i just want to process the tone slightly without buying a vintage rack.
I think that buying a 500-series chassis and a short list of modules is completely overkill for this purpose. Let your very nice preamp do its thing without stacking a bunch of other gear in the signal path and add color with software. It's easier, cheaper and the quality of DSP these days is shockingly good.
 
Radial makes high quality stuff and should work fine.


I think that buying a 500-series chassis and a short list of modules is completely overkill for this purpose. Let your very nice preamp do its thing without stacking a bunch of other gear in the signal path and add color with software. It's easier, cheaper and the quality of DSP these days is shockingly good.
yeah, except i have a windows xp machine, so no plugins are really going to work. thats when i stumbled on the "analog plugins" . i agree it might be overkill, so now i am thinking of getting a one shot chassis and just putting one of these color modules in it that has 3 or 4 slots. shouldnt cost much more than an expensive stomp box. (and ill still be using the clean signal on another track.)