The reason for the difference in pickguard is, in fact, because things are still changing. These were a select few (I think a half dozen) that were built, and all of the 400SS after will be the same as the 400JJ pickguards. We have yet to update the image on the website, which is why it still shows a *naked* 400SS. The new standard will be the same as the current JT400JJ pickguard.zac2944 said:Darrell, it is great to have you here at TB. I have some questions about the JT-400 SS and JT-400 JJ models.
In regards to the basses on your Ebay store, why are the pickguards on the SS and JJ models different? Specifically, bottom of the pickguard. On the JJ models the pickguard follows the bottom edge of the body, but on the SS models the edge of the pickguard gets further away from the edge of the body as it goes back toward the control knobs. Is there a reason for this? I prefer the look of the JJ style pickguard. I have seen pictures in this post of a JT-500 SS with a pickguard that follows the body contour. Your TBC website shows the JT-400 SS without a pickguard. What's the deal? Is there a standard design or are things still being changed?
How much room is there between the strings and the pickguard on a JT? I like a little space there for popping technique.
How thick is the pickguard and how much does it stand out from the body?
The thickness of the pickguard measures approximately 3mm, and the distance from the G string to the pickguard is approximately 10.5mm. This is a legitimate concern, and so far we haven't had any conflict with the pickguard and that style of playing.
Good question! Jack is currently home and looking for a place to set up shop. We should have a good idea of what we're looking at a month or two from now, so you custom freaks need to start compiling all of your crazy demands for serious consideration!Lo end PUNCH said:So uh...Darrell, how much to build me a 6?
It's my pleasure!a3holerman said:Darrell,
First thank you for all the advice and help here. This is what makes this and other forums so valuable. I too am interested in having a active passive switch. My thoughts..although I am sure this has been discussed by the company...is to use the same knob layout but have one of the pots be a on/off push/pull type. This would eliminate the adding of another switch to an already very attractive layout. Do you have an idea when these might be available?
We have considered this, and other than the cost of a push/pull being more than a on/off toggle, I haven't run across any obvious conflicts yet. I'd have to check the body for compatibility issues, but I don't foresee a reason why it wouldn't work. However, our default passive switching system would probably involve a toggle simply due to cost and convenience.
[envy]PasdaBeer said:I would LOVE to see a P bass style come out, daryl, snap to it and ill buy one up in a second!
edit:dont mind me, im drunk and i wanat to play some old school stuff
We've been talking about this, as well, although Jack has expressed considerably more interest in a P/J combination. I'm sure it will be in the mega-list of custom options in the near future.
marwady said:Alright,
I have been bonding with this bass now for over a week and it just keeps getting better.
I love the fact that a bass that comes in around $400.00 does not seem to have any significant drawbacks.
The neck has been very stable after the first and only adjustment and the tone is just killing me!
I love my SR4 but I sometimes miss the option of a little more bottom and low end presence, this bass has got all of that.
Darryll, I am glad I bought this bass, absolutely no "buyers remorse" and I would recommend this bass to anyone. Great product, fabulous value, hats off to Mr. Wilson.
I'm very glad you like the bass, and will pass on the positive feedback to Jack!
I've spoken to Jack concerning this particular point that you sloppy drunkards have brought up, and he was very interested in this strange phenomenon. You would think that an opportunity like this would be snatched up by a lower-end company that could just turn them out. We will definitely be getting into that hole!Darryl -
He may be drunk but I think he's on to something there. There is a mile-wide hole in the market right now for an affordable 5-string P-Bass. At your price-point, TBC could make some real noise in that space.
IMO, that's an excellent opportunity for you guys to capatalize on or at least investigate.
I asked Jack about this, and he just explained the whole bit to me. He said that they had, in fact, tried this at the factory. They had built a sort of experimental guitar with aluminum rails in the pickup rout that accomodated different pickups while allowing the pickups to actually be moved up or down. They found that if the pickups were too close together, they actually cancelled each other, causing a drop in level in the middle position with both pickups selected.dgce said:You know, it is odd that more builders do not do the "sweet spot" thing with a dual humbucker model. Is there something more going on here that we don't know about? Will this tweak throw the neck pickup out of wack or is there some sort of egghead physics thing that explains why this practice isn't normally done? Would this adjustment compromise the instruments playability, perhaps? I mean, if moving a pickup a notch here or there will give you that majestic tone we crave then there must be some reason why more builders don't do this.
Anyone?
What they also found was that when they got the bridge pickup into the "sweet" position, there was barely any room for the neck pickup (although there was room). When they moved the neck pickup far enough away from the bridge pickup so that there wasn't any cancellation problems, the neck pickup became muddy (aside from the fact that it looked cosmetically odd).
What they basically took away from the whole experiment was what would become the pickup configurations and placement for all of our basses, and the idea that the whole pickup setup would almost always be based on the bridge pickup's initial position.
When I spoke to Jack about a short-scale bass, he considered the idea but was leaning in the direction of a student-type learning bass. The problem is, there just isn't enough demand to make a large volume of short-scale basses for pro players (at least it isn't evident to us). Although, as a custom option, I think that it would be do-able.SBassman4x said:Ok, reading this gave me very serious GAS.
I love that M bass, and I think there's one in my future.
Ok, my first question to our TBC guitar tech:
Has your company considered a Short Scale M bass?
When you do this, I'll take the first 2. Here's my credit card number.....
You met our good friend Chris who is currently playing for Anthony Hamilton! He's been on several shows, but has played the TBC for only a few (including Ellen and Jimmy Kimmel Live). I caught it as well--it looked good!dgce said:No big deal here but I thought I'd mention a week ago I spotted a TBC on Jay Leno. Don't know the band; some R&B dude backed up with some pros. On the floor was a backup bass, one of those intimidating, gazillion stringed Conklins. But he was playing what appeared to be a 5 stringed M TBC bass. Actually, I can't recall if it was J &M or 2 M pickup bass, but it didn't have a pickgaurd. It really caught my eye and of course it sounded great.
Look out people, the secret may get out and these low prices my go the way of G&L!
When he first came in, he tried a lot of 5-strings, mostly MJ and MM. He really dug the scooped mid-range, and eventually gravitated to 4 strings. He ended up with a 4-string MM, and could be coming back for an MJ. He's a really great guy, and a fantastic player who really knew what he wanted, and that's always a relief (especially when you can deliver it to them!).
