What strings do you use & recommend mainly for arco? for best tone / volume--complete sets or do you use mix & match sets?
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Recently I’ve been wondering how many orchestral players use Spiros, or whether those strings are now mainly used by jazz players. Are they as difficult to bow as some claim?
I'm not a true orchestral player, but I've done some chamber music concerts recently with a set of Spiro Weichs and they've done great! They are fairly new, but once a year or two passes by I'm sure the arco tone will be a lot better! I wouldn't advocate them as the end all arco string but they can be bowed. You just need really solid arco chops and a bass that likes them. Black hair and Pops does help though.Recently I’ve been wondering how many orchestral players use Spiros, or whether those strings are now mainly used by jazz players. Are they as difficult to bow as some claim?
Fairly common in certain parts of the EU, although the heavier set is more common in orchestra. You have to work them a bit differently for orchestra playing depending a bit on the bass. Tone is superb and they do not do ugly at all. For american punchy playing they are not my first choice allthough I work with two guys who get exceptional punch with them.Thank you everybody for your replies--most helpful. Has anybody tried Evah Pirazzi Weich?--especially for Arco. Do orchestral players use them?
I think I read it here on TB that Spirocores were designed as an orchestral/arco string (naturally) for old, dark sounding basses.Recently I’ve been wondering how many orchestral players use Spiros, or whether those strings are now mainly used by jazz players. Are they as difficult to bow as some claim?
Funny, I had the opposite feeling. Passiones are dead after six months. I can get about a year out of BC’s.No problem mixing, but for arco only, I would start with Passione medium, or for a brighter sound flexocore deluxe. Bel Canto also works well, but in my opinion they only last 6 months.
Maybe, I am closing in on a year with my passiones, but the bass is very earm and mellow and may be filtering the edge out. Never had belcanto on that bass. So I could be in error. When I bought it had over a decade old flatchrome originals on and sounded great.Funny, I had the opposite feeling. Passiones are dead after six months. I can get about a year out of BC’s.
Been on the Spiro train for the last five years. They’re great, and last longer than anything else.
I have an old French bass that is very dark, I have always used Belcantos up until recently and tried Spiro Mitts and absolutely love them on my bass. I find them easier to start with the bow as well as having a wider palette of sound... They definitely have woken my old bass.I think I read it here on TB that Spirocores were designed as an orchestral/arco string (naturally) for old, dark sounding basses.